Blackwood's Edinburgh magazine, Vol. 71, No. 439, May, 1852Various
History
Blackwood's Edinburgh magazine, Vol. 71, No. 439, May, 1852
Various
England -- Periodicals; Scotland -- Periodicals
We should have liked, had time permitted, to have transcribed one or two
of Mr Reach’s sketches of scenery, especially his description of the
Landes, where, instead of wine, men gather a harvest of resin, and where
the shepherds imitate the crane, by walking perpetually upon stilts. We
already possessed some knowledge of that singular region from the
writings of George Sand, but Mr Reach’s description is more simple, and
certainly more easily realised. His account also of Pau, and its
society, and the neighbouring scenery, is remarkably good; but so is the
book generally, and therefore we need not particularise. Only, as we are
bound to discharge the critical function with impartiality, and as we
are rather in a severe mood, this not being one of our claret days, we
take leave to say that the legends which he has engrafted are by far the
least valuable portion of the volume. Everybody who knows anything of
modern bookmaking, must be aware that such tales are entirely
attributable to the fertile genius of the author; for we would as soon
believe in the discovery of a buried treasure, as in the existence of
those grey-haired guides, veteran smugglers, and antique boatmen, who
are invariably brought forward as the Homeridæ or recounters of floating
tradition. We have travelled a good deal in different parts of the
world, and seen as much of that kind of society as our neighbours; but
we can safely aver that we never yet met with a local Sinbad who had
anything to tell worth the hearing. If an author wants the materials of
romance, the best place that he can frequent is a commercial traveller’s
room. We have been privileged to hear in such social circles more
marvels than would furnish forth a whole library of romance, with this
additional advantage, that the narrator of the tale, whether it referred
to love or war, was invariably its principal hero.
Public-domain text, read in full here on John Shaqi.
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