Blackwood's Edinburgh magazine, Vol. 71, No. 439, May, 1852Various
History
Blackwood's Edinburgh magazine, Vol. 71, No. 439, May, 1852
Various
England -- Periodicals; Scotland -- Periodicals
On his return from America in 1803, we lose sight of him for a while. He
was then probably harassed by government transactions connected with his
luckless appointment; but in 1805 he gave unhappy evidence of his
revival by the publication of _Poems by Mr Thomas Little_.
We have no desire to speak of this work. Perhaps “his poverty, but not
his will,” was in fault. He made some kind of apology at the time, by
attributing the performance “to an imagination which had become the
slave of the passions;” and subsequently he made the better apology of
excluding it from his collected volumes. Yet, in this work, he did less
harm to society than injustice to himself. The graver classes, of
course, repelled it at once; the fashionable world took but little
notice of a book which could not be laid in their drawing-rooms; and the
profligate could be but little excited by its babyisms, for Moore’s
amatory poems were always babyish. They wanted, in a remarkable degree,
the fervency of passion. They prattled rather than felt: they babbled of
lips and eyes like an impudent child; their Cupid was always an Urchin,
and the urchin was always in the nursery. His verses of this school were
flowing, but they never rose above prettiness; they never exhibited love
in its living reality—in its seriousness and power—its madness of the
brain, and absorption of the soul—its overwhelming raptures, and its
terrible despair. There is a deeper sense of the truth and nature of
_passion_ in a single ballad of Burns than in all the amatory poems that
Moore ever wrote.
The injustice to himself consisted in his thus leaving it in the hands
of every stranger, to connect the life of the man with the
licentiousness of the author. Yet we have never heard that his life was
other than decorous; his conversation certainly never offended general
society—his manners were polished—and we believe that his mind was at
all times innocent of evil intention. Still, these poems threw a long
shade on the gentle lustre of his fame.
He now fell under the lash of the _Edinburgh Review_, never more
sternly, and seldom so justly, exercised. Moore indignantly sent a
message to the editor. Jeffrey, refusing to give up the name of the
Zoilus in disguise, accepted the message, and the parties met.
Fortunately some friend, with more sense than either, sent also _his_
message, but it was to the Bow Street magistrates, and the belligerents
were captured on the field. In conveying the instruments of war to Bow
Street, the bullets had fallen out; and this circumstance was, of
course, too comic to be forgotten by the wits. The press shot forth its
epigrams, the point of which was the harmlessness of the hostilities. It
was observed—
“That the pistols were leadless
Is no sort of news,
For _blank_-cartridge should always
Be fired at _Reviews_.”
We transcribe but another squib.
Public-domain text, read in full here on John Shaqi.
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