That little humble cot-house, standing respectfully apart, with the
miller’s idle cart immediately in front of it, is the dwelling-place of
Robert Moulter, the miller’s man; but the miller’s own habitation is
more ambitious. In the strip of garden before the door there are some
rose-bushes, some “apple-ringie,” and long plumes of gardener’s garters;
and there is a pointed window in the roof, bearing witness that this is
a two-storied house of superior accommodation: the thatch itself is
fresh and new—very different from that mossy dilapidated one of the
cottar’s house; and above the porch flourishes a superb “fouat.” The
door, as usual, is hospitably open, and you see that within all are
prepared for going abroad; for there is a penny wedding in the town,
which already has roused all Anster.
Who is this, standing by the window, cloaked and hooded, young, but a
matron, and with that beautiful happy light upon her face? Under her
hood, young as she is, appears the white edge of lace, which proves her
to have assumed already, over the soft brown shining hair which crosses
her forehead, the close cap of the wife; but nothing remains of the old
shy sad look, to tell you that this is Isabell Stewart. Nor is it. Mrs
Stewart there, in her crimson plaid and velvet hood, who is at present
delivering a lecture on household economics, to which her daughter
listens with a happy smile, would be the first to set you right if you
spoke that old name. Not Isabell Stewart—Leddy Kilbrachmont!—a landed
woman, head of a plentiful household, and the crown and honour of the
thrifty mother, whose training has fitted her for such a lofty destiny,
whose counsels help her to fill it so well.
Janet, equipped like the rest, goes about the apartment, busily setting
everything “out of the road.” The room is very much like the family room
in Kellie Mill: domestic architecture of this homely class is not
capable of much variety; and hastily Janet thrusts the same pretty wheel
into a corner, and her mother locks the glistening doors of the oak
aumrie. Without stands Philip Landale, speaking of his crops to the
miller; and a good-looking young sailor, _fiancée_ of the coquettish
Janet, lingers at the door, waiting for her.
Public-domain text, read in full here on John Shaqi.
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