The fire burned brightly in the west room, glowing in the dark polished
walls, and brightening with its warm flush the clouded daylight which
shone through the high window. Again on her high chair, with her
shoulders fixed, so that she cannot stoop, Lady Anne sits at her
embroidery frame, at some distance from the window, where the slanting
light falls full upon her work, patiently and painfully working those
dim roses into the canvass which already bears the blossoms of many a
laborious hour. Poor Lady Anne! People, all her life, have been doing
their duty to her—training her into propriety—into noiseless decorum and
high-bred manners. She has read the _Spectator_ to improve her mind—has
worked embroidery because it was her duty; and sits resignedly in this
steel fixture now, because she feels _it_ a duty too—a duty to the world
at large that Lady Anne Erskine should have no curve in her shoulders—no
stoop in her tall aristocratic figure. But, in spite of all this, though
they make her stiff, and pale, and silent, none of these cares have at
all tarnished the gentle lustre of Lady Anne’s good heart; for, to tell
truth, embroidery, and prejudices, and steel-collars, though they cramp
both body and mind a little, by no means have a bad effect—or, at least,
by no means _so_ bad an effect as people ascribe to them in these
days—upon the heart; and there lived many a true lady then—lives many a
true lady now—to whom devout thoughts have come in those dim hours, and
fair fancies budded and blossomed in the silence. It was very true that
Lady Anne sat there immovable, holding her head with conscientious
firmness, as she had been trained to hold it, and moving her long
fingers noiselessly as her needle went out and in through the canvass
before her—very true that she thought she was doing her duty, and
accomplishing her natural lot; but not any less true, notwithstanding,
that the heart which beat softly against her breast was pure and gentle
as the summer air, and, like it, touched into quiet brightness by the
light from heaven.
Near her, carelessly bending forward from a lower chair, and leaning her
whole weight on another embroidery frame, sits Katie Stewart, labouring
with a hundred wiles to draw Lady Anne’s attention from her work. One of
little Katie’s round white shoulders is gleaming out of her dress, and
she is not in the least erect, but bends her head down between her
hands, and pushes back the rich golden hair which falls in shining,
half-curled tresses over her fingers, and laughs, and pouts, and calls
to Lady Anne; but Lady Anne only answers quietly, and goes on with her
work—for it is right and needful to work so many hours, and Lady Anne is
doing her duty.
But not so Katie Stewart: her needle lies idle on the canvass; her silk
hangs over her arm, getting soiled and dim; and Lady Anne blushes to
remember how long it is since her wayward favourite began that group of
flowers.
Public-domain text, read in full here on John Shaqi.
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