The west room is in no respect changed, though three years have passed
since we saw it last. In the middle of the room stands a great open
chest, already half full of carefully packed dresses. This square flat
parcel, sewed up in a linen cover, which Katie Stewart holds in her arms
as if she could with all her heart throw it out of the window, instead
of depositing it reverently in the chest, is Lady Anne’s embroidery; and
Lady Anne herself is collecting stray silks and needle-books into a
great satin bag. They are preparing for a journey.
Lady Anne Erskine is twenty—very tall, very erect, and with a most
exceptionable carriage. From her placid quiet brow the hair is combed
up, leaving not so much as one curl to shelter or shadow a cheek which
is very soft and pale indeed, but which no one could call beautiful, or
even comely. On her thin arms she wears long black gloves which do not
quite reach the elbow, but leave a part of the arm visible under the
lace ruffles which terminate her sleeves; and her dress is of dark
rustling silk, rich and heavy, though not so spotless and youthful as it
once was. Her little apron is black, and frilled with lace; and from its
pocket peeps the corner of a bright silken huswife; for Lady Anne is no
less industrious now than when she was a girl.
Ah, saucy Katie Stewart! Eighteen years old, and still no change in you!
No gloves on the round arms which clasp that covered-up embroidery—no
huswife, but a printed broadsheet ballad, the floating light literature
of the place and time, in the pocket of _your_ apron—no propriety in
your free rebel shoulders. And people say there is not such another pair
of merry eyes in sight of Kellie Law.
The golden hair is imprisoned now, but not so closely as Lady Anne’s,
for some little curls steal lovingly down at the side, and the fashion
of combing it up clears the open white forehead, which, in itself, is
not very high, but just in proportion to the other features of the face.
Only a little taller is the round active figure—a very little. No one is
quite sensible, indeed, that Katie has made any advance in stature at
all, except herself; and even herself scarcely hopes, now in the
maturity of eighteen, to attain another half inch.
But the little girlish spirit has been growing in those quiet years. It
was Spring with her, when Katie saw the tears of Anne Erskine for her
threatened removal, and her eyes were opened then in some degree to an
appreciation of her beautiful lot. How it was that people loved her,
followed her with watchful, solicitous affection—_her_, simple little
Katie Stewart—the consciousness brought a strange thrill into her heart.
One may grow vain with much admiration, but much love teaches humility.
She wondered at it in her secret heart—smiled over it with tears—and it
softened and curbed her, indulged and wilful though she was.
Public-domain text, read in full here on John Shaqi.
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