And Jenny stood firm—a jealous incorruptible sentinel in the passage which led to Miss Annie Laurie’s room. “Miss Menie, ye’ll no take it ill what I say,” said Jenny; “there’s death in the house, or fast coming. I ken what the doctor means. Gang you ben the house, like a good bairn; look in your ain glass, and see if there should be a face like that in a house where He comes.” Menie looked silently into the countenance before her—the keen, impatient, irascible face; but it was easy to see a hasty tear dashed away from Jenny’s cheek. And without another word, Menie Laurie turned away. Some withered leaves are lying on the window-sill—the trees are yielding up their treasures, dropping them down mournfully to the disconsolate soil—but the meagre yew-tree rustles before her, darkly green in its perennial gloom. Rather shed the leaves, the hopes—rather yield to winter meekly for the sake of spring—rather be cut down, and rooted up altogether, than grow to such a sullen misanthrope as this. And Menie Laurie looks into her own face; this gloomy brow—these heavy eyes—are these the daylight features of Menie Laurie?—the interpretation of her heart? Earnestly and long she reads—no lesson of vanity, but a stern sermon from that truthful mirror. Hush!—listen!—what was that?—a cry! The doctor is leaving Miss Annie Laurie’s room—the cry is over—there is only now a feeble sound of weeping; but a shadow strangely still and sombre has fallen upon the house, and the descending step rings like a knell upon the stairs. What is it?—what is coming?—and what did it mean, that melancholy cry? Alas! a voice out of a startled soul—a cry of wild and terrified recognition—acknowledgment. Years ago, age came gently to this dwelling—gently, with light upon his face, and honour on his grey hairs. There was no entrance for him through the jealous door; but now has come another who will not be gainsaid. Gather the children, Reaper—gather the lilies—take the corn full in the ear—go to the true souls where thought of you dwells among thoughts of other wonders, glories, solemn things to come—leave this chamber here with all its poor devices. No such presence has ever stood within its poverty-stricken walls before. Go where great love, great hope, great faith, great sorrow, sublimer angels, have made _you_ no phantom—leave this soul to its toys and delusions—it is a poor triumph—come not here.