Blackwood's Edinburgh magazine, Vol. 75, No. 462, April 1854Various
History
Blackwood's Edinburgh magazine, Vol. 75, No. 462, April 1854
Various
England -- Periodicals; Scotland -- Periodicals
It is not long since that we read the question and answer scheme of an
examination of a retired village school, consisting of labourers’
children; one of the questions being, “What is chronology?” “What is its
derivation?” Answer, “Derived from two Greek words,” &c. Will any one
think that children so taught become wiser or better? This may not be an
isolated instance. It seems possible that chronology may become rather
too fashionable a study, and engage a host of collectors of valueless
nothings. The neglected science has certainly some arrears to make up.
Some few years ago we were authoritatively told that “History” is
nothing but an “old Almanac.” Since which time, History and her sister,
Chronology, have been discarded servants—out of place, and glad to pick
up a few pence here and there as charwomen, in all sorts of odds and
ends of corners, to sweep away time-collected dust and rubbish. Their
industry seems likely to be rewarded at last. A few of the old
worshippers, taking advantage of this exhaustion of “useful knowledge,”
benevolently lend them a helping hand, and are trying to persuade the
public that the dust was gold dust, or better than gold dust, and the
rubbish a treasure, and advising that it should all be swept in
again—and where?—into our National Gallery! and doubtless their next
step will be to appoint a Parliamentary Commission, not so much for the
purpose of sifting it, as of issuing treatises and lectures upon the
value and national importance of this new-old treasure trove. So that
the public may look to this, that, instead of having their eyes
gratified by the beauties of art, they will be disgusted with its
deformities; while their heads will be so stuffed with its history, as
to leave no room for a thought of its excellence, or a sentiment to be
derived from it.
Let not the reader be alarmed at the very mention of the National
Gallery. We are not about to inflict upon him the evidence in the Blue
Book respecting the picture-cleaning, the doings and misdoings of
trustees, the “discrepancies” of opinions and statement of facts, the
faults of a system which is inconsistently at once condemned and
recommended for continuance, the labyrinth of question and answer
leading to no conclusion, the blame here and the flattery there, the
unwilling admissions and unreserved condemnations: most people we see
are perhaps inclined to believe, in this instance at least, that a “big
book is a big evil.” We do not, therefore, intend in this place to
reopen the discussion which made the subject of our former papers.
The difficulty under which the Commission laboured was visible from the
beginning. The trustees had approved of the cleaning. The task of very
decidedly condemning this approval was naturally distasteful; therefore,
what is too evidently wrong is charged upon a “system,” while the
honourable personages are praised and flattered as if they had never had
anything to do with it.
Public-domain text, read in full here on John Shaqi.
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