now that we know them to have been his last, sink into the heart, like the parting accents of a friend, with a melancholy charm. We leave to others, and in another form, the task of delineating the character of Professor Wilson as a poet, a novelist, a philosopher, and a critic: our more limited object is to speak of him only in connection with this Magazine, of which he was so long the animating spirit; to recall and arrest for a moment the lineaments of the man as he first appeared to us—as we were familiar with him in after life—and to embody in a few words our sense of what he has done for literature and for society, through the pages of that publication, in which, unless we greatly err, posterity will recognise the richest outpourings of his genius, and in which may be traced all the moods of his changing mind—from the first wild and sparkling effusions of youth, through the more matured creations of his manhood, down to that period when even genius takes a sober colouring from the troubles of life, and all those vivid and truthful pictures of the world around us begin unconsciously to be imbued and solemnised by the prospects of another. When we first saw Professor Wilson—now more than three-and-thirty years ago—no more remarkable person could have attracted attention. Physically and mentally he was the embodied type of energy, power, and self-reliance. The tall and elastic frame, the massive head that crowned it, the waving hair, the finely-cut features, the eye flashing with every variety of emotion, the pure and eloquent blood which spoke in the cheek, the stately lion-like port of the man,—all announced, at the first glance, one of Nature’s nobles. And to the outward presence corresponded the mind within; for rarely have qualities so varied been blended in such marvellous and harmonious union. The culture of English scholarship had softened the more rugged features of his Scottish education. The knowledge of life, and sympathy with all its forms, from the highest to the lowest, had steadied the views and corrected the sentimental vagueness of the poetical temperament: a strong and practical sagacity pervaded, and gave reality to, all the creations of his imagination. Extensive and excursive reading—at least in English literature and the classics—combined with a singular accuracy and minuteness of natural observation, had stored his mind with facts of every kind, and stamped the results upon an iron memory. Nature and early training had so balanced his faculties that all themes seemed to come alike to his hand: the driest, provided only it bore upon the actual concerns of life, had nothing repulsive for him: he could expatiate in the field of the mournful as if it were his habitual element, and turn to the sportive and the fantastic, as if he had been all his life a denizen of the court of Comus. The qualities of the heart partook of this expansive and universal character. Affections as tender