In corroboration of this conjecture, it may be stated that the learned
travellers, M.M. de Stackelberg and de Bronsted, who have journeyed
through the Morea and closely examined the population, assert that the
_heroic_ type is still extant in certain localities. M. Poqueville
likewise assures us that the models which inspired Phidias and Apelles
are still to be found among the inhabitants of the Morea. “They are
generally tall, and finely formed; their eyes are full of fire, and they
have a beautiful mouth, ornamented with the finest teeth. There are,
however, degrees in their beauty, though all may be generally termed
handsome. The Spartan woman is fair, of a slender make, but with a noble
air. The women of Taÿgetus have the carriage of a Pallas when she
wielded her formidable ægis in the midst of a battle. The Messenian
woman is low of stature, and distinguished for her _embonpoint_,” (this
may be owing to a mixture with the primitive race of the Morea, who, as
Helots, long existed as a distinct caste in Messenia); “she has regular
features, large blue eyes, and long black hair. The Arcadian, in her
coarse woollen garments, scarcely suffers the symmetry of her form to
appear; but her countenance is expressive of innocence and purity of
mind.” In the time of Poqueville the Greek women were extremely ignorant
and uneducated; but, he says, “music and dancing seem to have been
taught them by nature.” He speaks of the long flaxen hair of the women
of Sparta, their majestic air and carriage, their elegant forms, the
symmetry of their features, lighted up by large blue eyes, fringed and
shaded with long eye-lashes. “The men,” he says, “among whom some are
‘blonds,’ or fair, have noble countenances; are of tall stature, with
masculine and regular features.” They have preserved something of the
Dorians of ancient Sparta.
Public-domain text, read in full here on John Shaqi.
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