It is, we think, to be regretted that those who intend to lay before the public their impressions of foreign travel, should so often have recourse to the form of letters purporting to be addressed to friends or relatives at home. We admit that, for purposes of fiction, the epistolary style is convenient. Testy Mathew Bramble, his tyrannical sister Tabitha, and the lovelorn Winifred Jenkins, may, by their several lucubrations, unite to form the most amusing of family chronicles; but Smollett, when he compiled _Humphrey Clinker_, took care that the expression of each character should be perfectly natural. So with Lever’s _Dodd Family_, and the immortal letters of Mrs Ramsbottom. But the case of a party deliberately penning letters, in his or her own name, not for the private gratification of a select circle, or the information of those to whom they are addressed, but directly for the press and the public, is very different. In the first place, every one knows and feels that the letters are not genuine. The most gifted of our race, in addressing a mother, a sister, or a child, do not think it necessary to indulge in fine writing, or in long elaborate descriptions, or in statistical details. They write simply—generally shortly; and a good deal of their matter would, if submitted to the eye of a stranger, appear to be unmeaning gossip, not improbably approaching to twaddle. We doubt not that, in the real letters which Mrs Stowe despatched across the Atlantic, there were many household inquiries, suggestions, and remembrances—domestic precepts and home-thoughts—kind, motherly, or friendly words, such as render letters doubly delightful to the recipients. But these formal epistles which she has now given to the world under the collective title of _Sunny Memories of Foreign Lands_, bear falsity in their very face, and, in all human probability, the printer’s devil was the first person that perused them. They are all pitched in one key. Her despatches to the home nursery are as elaborate efforts of composition, as those which are nominally addressed to her father, or to “Dear Aunt E.”;—and, as a necessary consequence, they are frigid in the extreme. This is an artistic blunder, which cannot fail to detract very much from the interest of what Mrs Stowe had written. It was not perhaps to be expected, nor indeed desired, that she should have printed her genuine letters; but surely there was no occasion for recasting her diary or memoranda in a purely fictitious form.