age, the forcible type and symbol which antedate all arguments is, after
all, the thing most wanted; and that the apparition of the monk,
self-denuded of all possessions, even of his own will, for the glory of
God and the service of his neighbour, may startle the confused
intelligence into a belief of that work and its importance, which no
philosophy could give. Such at least seems to have been the conviction
of Lacordaire. Like his great contemporary Irving, the French preacher
felt the inefficacy of common means for the work on which his heart was
set. To both the world came open-mouthed, wondering and admiring; but
neither in the London modern church, nor under the noble arches of Notre
Dame, was the report of the prophet believed as he felt in his heart it
ought to be. This uneasiness in the passionate heart of our great
countryman gave rise, by some subtle magnetic influence, to a wild dream
of miraculous aid and voices from heaven; and in the self-controlled and
unimpassioned soul of the French priest it wrought an issue almost as
strange—the restoration, to some extent, of monasticism in his country,
and the dedication of his own life to that disused and discredited
vocation. No two men could be more unlike, but here both met in a
strange concord and agreement. Something had to be done beyond the
ordinary routine of evangelism to seize upon the dull ear and sluggish
heart of the time. Supernaturalism, or monasticism, or any other
martyrdom—what matter, so it did but startle that slumbering generation
to some thought of its evil ways? Let us build the sepulchres of those
prophets whom our fathers, by their apathy and indifference, drove into
such a noble desperation. We too, doubtless, will do our share of the
same work. Yet it is a kind of penitence of humanity for its
ever-recurring mistakes and misconceptions, which prompts one generation
to decorate the tombs into which the sins of a former generation have
urged and driven the not perfect yet noble dead.
LADY MORGAN’S MEMOIRS.[4]
Public-domain text, read in full here on John Shaqi.
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