fell; till circumstances, as wonderful as they are fortunate, combined
to plant her in the foremost ranks of literature and fashion. This gives
her an immense advantage over autobiographers in general. She is free to
say what she pleases, and to say it as she pleases; and if the public be
perverse enough to discredit her statements wholly or in part, what is
that to her? The public will read her book and talk about it, and the
subject of it; and her manes, if she have any manes, will for a while be
gladdened.
There are two ways of telling the story of Lady Morgan’s infancy and
girlhood. The first, or poetical, which is her own, describes her as
descended from an old Irish family—as the daughter of a man of brilliant
genius and the highest sense of honour—as coming into the world at a
moment when this great and good man’s affairs happened, unfortunately,
to be in confusion; and as thus forced, without any fault of his or her
own, to make a too early acquaintance with poverty and its attendant
evils. The other, or prosaic, which has no foundation to rest upon
except vulgar fact, says that Sydney Owenson was the daughter of a
strolling player, who could never clearly distinguish between _meum_ and
_tuum_—who was always rollicking, light-hearted, and merry—who spent
every farthing which he earned faster than it came in, was often in
prison, and perpetually in debt. The poetic, or Lady Morgan’s reading,
further shows that the Owensons or M‘Owens came from one of the great
houses of Connaught, which at some remote period, date unknown, had lost
or forfeited their enormous estates; that her grandfather, a handsome
young yeoman, ran away with her grandmother, and that, though very poor,
they lived, upon the whole, comfortably and respectably together. The
other, or prosaic version, seems to say that it was Miss Owenson’s
grandmother who ran away with her grandfather; that she fell in love
with his _illigant_ Hibernian proportions on the occasion of a great
curling-match, and never let him alone till he had made her his wife. It
is not, however, so easy, as we advance in this interesting history, to
follow the line which separates the ideal from the real; but this much
at least is certain, that before the end of a year the _ci-devant_ Miss
Crofton became the mother of Robert M‘Owen, and that Robert M‘Owen
became in due course of time the father of Sydney Lady Morgan.
Public-domain text, read in full here on John Shaqi.
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