The author of the ‘Roba,’ who does not dislike a good-natured hit at his own countrymen’s peculiarities, is amusing with respect to their criticisms of the Colosseum, the Campagna, and other principal features of Rome and its environs. One young lady told him she thought the Colosseum “pretty, but not so pretty as Naples;” and a gentleman was of opinion that it was less well built than the custom-house in his native city, of which the correct lines, sharp angles, and whitewashed superficies were doubtless more grateful to his view than the ruins whose abundance constitutes one of Rome’s chief charms. There are people who would be more struck with the excellent workmanship and first-rate bricks of the tall modern scarp which supports a part of the Colosseum that threatened to crumble away, than they would be with its ruined arches, its broken travertine blocks, its time-worn cornices and flower-draped benches, or than with the lovely ruins of Caracalla’s baths, concerning which Mr Story quotes Shelley, whilst himself describing them with much poetry of expression, and a warm perception of the beautiful. “Come with me,” he says, “to the massive ruins of Caracalla’s baths—climb its lofty arches and creep along the broken roofs of its perilous terraces. Golden gorses and wallflowers blaze there in the sun, out of reach; fig-trees, whose fruit no hand can pluck, root themselves in its clefts; pink sweetpeas and every variety of creeping vetch here bloom in perfection; tall grasses wave their feathery plumes out on dizzy and impracticable ledges; and nature seems to have delighted to twine this majestic ruin with its loveliest flowers. Sit here, where Shelley wrote the ‘Prometheus Unbound,’ and look out over the wide-stretching Campagna.” And if you have with you, as you ought to have, when wandering over those giddy arches and broken platforms, the second volume of ‘Roba di Roma,’ turn to page 97, and read its accomplished author’s graphic and glowing description of the view thence obtained. Unfortunately not all his countrymen possess the same feeling for the beautiful in nature—not all can find a charm in a time-stained marble block, moss-mantled and weed-entwined. To one of Mr Story’s countrymen the Colosseum was simply “an ugly, pokerish place,” whilst another was chiefly struck by its circular form, and a third by the advantages it offered for love-making—this last being a recommendation, doubtless, but one that can hardly have been reckoned upon by the original designers of the edifice. One gentleman (we need not ask from which side of the Atlantic) was liberal enough to say, “I do not _object_, sir, to the carnival at Rome;” and Mr Story assures us that he knows several who are equally indulgent to the Colosseum and to St Peter’s. He grieves to admit that English and Americans too often speak ill of the Campagna, which seems to him, he declares, the most beautiful and touching in its interest of all places he has ever seen;