Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863Various
History
Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863
Various
England -- Periodicals; Scotland -- Periodicals
To return, however, from this digression, which has nothing to excuse it
except the interest which clings even to often-repeated stories
respecting the popular old volcano. Other features in that wonderful
panorama, seen from Capri, have undergone scarcely inferior changes
since the time of Tiberius. Yonder rich tract of level land at the mouth
of the Sarno, between Torre dell’ Annunziata and Castellamare, did not
exist. The sea has retreated from it. Tiberius saw, instead of it, a
deep bay washing the walls of the compact little provincial city of
Pompeii. But the neighbouring port of Stabiæ is gone: not a vestige of
its site remains. Above it to the right, Monte Sant’Angelo, and the
limestone sierra of which it forms a part, remain, no doubt, unchanged
by time. Only that marvellous range of Roman villas and gardens which
lined its foot for leagues, almost rivalling the structures of the
opposite Bay of Baiæ for magnificence, has disappeared, no one knows how
or when. The diver off the coast of Sorento can touch with his hand the
long ranges of foundation-work, brick and marble, which now lie many
feet beneath the deep clear water. It was a strange fit of short-lived
magnificence, that which induced the grandest of millionnaires, the
chiefs of the Augustan age, to raise their palaces, all round the Gulf
of Naples, on vaulted ranges of piles laid within the sea, so that its
luxurious ripple should be heard under the rooms in which they lived.
Niebuhr, who, with all his curious insight into the ways of antiquity,
was not superior to the temptation of finding a new reason for
everything, asserts that they did so in order to escape the _malaria_.
But that mysterious evil influence extended some way beyond the shore.
The country craft will, to this day, keep as far as they can, in the
summer nights, off the coast of the Campagna, while the quiet
land-breeze is wafting death from the interior. The real causes were,
doubtless, what the writers of the time disclose. The land close to the
shore was dear and scanty, and ill-accommodated for building, from its
steepness. The first new-comer who set the fashion of turning sea into
land, was imitated by others in the mere wantonness of wealth, until the
whole shore became lined with palatial edifices, like the Grand Canal of
Venice; but not so durably. These classical structures, frequently
delineated with more or less detail in the Pompeian frescoes, were as
beautiful and as transitory as those of our dreams; or like the vision
which Claude Lorraine transferred to canvass in the most poetical of
landscapes, his ‘Enchanted Palace.’ Judging from the singular phenomena
exhibited by the ‘Temple of Serapis,’ and by other topographical
records, geologists have concluded that land and sea, in this volcanic
region, wax and wane in long successions of ages. Thus the sea rose (or
rather the land sank) on the coast of the Bay of Naples for about eleven
centuries previous to A.D.
Public-domain text, read in full here on John Shaqi.
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