the character of his class, any more than Mr Coates' anxiety to be Romeo enlightened us as to his disposition in other respects. The Manchester warehouseman, though he fails in his attempt at fashionable parts, may be a very estimable and pains-taking individual, and, with the single exception of that foible, offers nothing to the most careful observer to distinguish him from the stupid and respectable in any part of the world. And in this respect, any one starting as the chronicler of citizen life among us, would labour under a great disadvantage. Whether our people are phlegmatic, or stupid, or sensible--all three of which epithets are generally applicable to the same individual--or that they have no opportunities of showing their peculiarities from the domestic habits of the animal--it is certain that, however better they may be qualified for the business of life than their neighbours, they are far less fitted for the pages of a book. And the proof of it is this, that wherever any of our novelists has introduced a tradesman, he has either been an invention altogether, or a caricature. Even Bailie Nicol Jarvie never lived in the Saut Market in half such true flesh and blood as he does in _Rob Roy_. At all events, the inimitable Bailie is known to the universe at large by the additions made to his real character by the prodigal hand of his biographer, and the ridiculous contrasts in which he is placed with the caterans and reivers of the hills. In the city of Glasgow he was looked upon, and justly, as an honour to the gude town--consulted on all difficult matters, and famous for his knowledge of the world and his natural sagacity. Would this have been a fit subject for description? or is it just to think of the respectable Bailie in the ridiculous point of view in which he is presented to us in the Highlands? How would Sir Peter Laurie look if he had been taken long ago by Algerine pirates, and torn, with all his civic honours thick upon him, from the magisterial chair, and made hairdresser to the ladies of the harem--threatened with the bastinado for awkwardness in combing, as he now commits other unfortunate fellows to the treadmill for crimes scarcely more enormous? Paul de Kock derives none of his interest from odd juxtapositions. He knows nothing about caves and prisons and brigands--but he knows every corner of coffee-houses, and beer-shops, and ball-rooms. And these ball-rooms give him the command of another set of characters, totally unknown to the English world of fiction, because non-existent in England. With us, no shop-boy or apprentice would take his sweetheart to a public hop at any of the licenced music-houses. No decent girl would go there, nor even any girl that wished to keep up the appearance of decency. No flirtations, to end in matrimony, take their rise between an embryo boot-maker and a barber's daughter, in the course of the _chaine Anglaise_ beneath the trees of the Green Park, or even at the Yorkshire Stingo.