"Squire Thornhill."--"At last a young gentleman, of a more genteel
appearance than the rest, came forward, and for a while regarding us,
instead of pursuing the chase, stopped short, and giving his horse to a
servant who attended, approached us with a careless, superior air." The
family are sweetly grouped--the story well told--the easy assurance of
the squire undeniable. The father holds his two boys, one on his lap,
the other between his knees; but is he "_the_ vicar?"
"Mr Burchell and Sophia"--A most charming illustration. It is the
haymaking scene. "I could not avoid, however, observing the assiduity of
Mr Burchell, in assisting my daughter Sophia in her part of the task."
Sophia is a lovely creature, just what she should be. We are not quite
sure of Mr Burchell: possibly he may look too young; he was a character,
and must have borne about him some little acquired oddity, sturdy, and
not undignified. In the illustration he is too prettily genteel; but we
do not wish to see any but Sophia--delightful, loving, lovable Sophia.
In the background, Moses lies on the ground with his book, and the vicar
has rather too suspicious a look; but we can forgive him that, and, for
Sophia's sake, forgive Mr Mulready that he has paid less attention to
her admirer--for at present he is no more. But his admiration is better,
and more to the purpose than other men's love.
"Moses defeated in Argument, or rather borne down by the arrogant,
ignorant volubility of the Squire."--"This effectually raised the laugh
against poor Moses." It is well grouped; but the only successful figure
is Moses. The squire is not the well-dressed, designing profligate. If
the story were not well told by the grouping, we might have taken the
squire for an itinerant "lecturer." The squire is so prominent a person
in the tale, that we think there should have been a well-studied
representation of the accomplished villain and fine gentleman.
No. 8.--Beyond the skill in grouping, Mr Mulready has not attempted any
great interest in this illustration. It represents the family, with
their friend Burchell, interrupted in their enjoyment by the chaplain,
or rather the chaplain's gun; for that only presents its muzzle. "So
loud a report, and so near, startled my daughters; and I could perceive
that Sophia, in the fright, had thrown herself into Mr Burchell's arms
for protection." We do not recognize the alarmed and lovely Sophia--here
she might be any miss; so that the greatest miss is Mr Mulready's, for
he has missed an opportunity of showing the beauty of the sweet sisters
in alarm. In this chapter, we have Goldsmith's delightful ballad, "Turn,
gentle hermit of the dale." Surely this was worthy an illustration or
two; and if Mr Mulready felt himself confined to the heads of chapters,
might he not, for once, have made his digression from the tale, as
Goldsmith has done, and given us that charming episode?
Public-domain text, read in full here on John Shaqi.
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