But the world (no longer to be called of letters, but of emblems) will
be the gainer. It will be no longer a form of speech to talk of having
"_glanced_ at the morning papers," whose city article will, of course,
be composed by artists skilled in drawing figures. The biographies of
contemporary or deceased statesmen will be limned, not by Lord
Brougham or Macaulay, but by the impartial hand of the Royal Academy;
and the catacombs at Kensal Green, like those discovered by Belzoni on
the banks of the Nile, exhibit their eulogistic inscriptions in
hieroglyphics. By this new species of shorthand we might have embodied
this very article in half a dozen sprightly etchings! But as the
hapless inventor of the first great art of printing incurred, among
his astounded contemporaries, the opprobrium of being in compact with
the evil one, (whence, probably, the familiar appellation of printers'
devils,) it behoves the early practitioners of the new art to look to
their reputations! By economizing the time of the public, they may
squander their own good repute. It is not every printer who can
afford, like Benjamin Franklin, to be a reformer; and pending the
momentum when (the schoolmasters being all abroad) the grand causeway
of the metropolis shall become, as it were, a moving diorama,
inflicting knowledge upon the million whether it will or no--let us
content ourselves with birds'-eye views of passing events, by way of
exhibiting the first rudiments of THE NEW ART OF PRINTING!
* * * * *
THE BANKING HOUSE
A HISTORY IN THREE PARTS. PART III.
CHAPTER I.
SYMPTOMS OF ROTTENNESS.
Public-domain text, read in full here on John Shaqi.
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