The elevated stand, from which the speakers generally addressed the assembly, had the strongest resemblance to a scaffold, and behind it, covering the wall, were suspended chains, and instruments of torture of every horrid kind, used in the dungeons of old times; and though placed there for the sake of contrast with the mercies of a more enlightened age, yet enhancing the general idea of a scene of death. It required no addition to render the hall of the Jacobins fearful; but the meetings were always held at night, often prolonged through the whole night. Always stormy, and often sanguinary, daggers were drawn and pistols fired--assassination in the streets sometimes followed bitter attacks on the benches; and at this period, the mutual wrath and terror of the factions had risen to such height, that every meeting might be only a prelude to exile or the axe; and the deliberation of this especial night must settle the question, whether the Monarchy or the Jacobin club was to ascend the scaffold. It was the debate on the execution of the unhappy Louis XVI. The arrival of the crowd, among whom I had taken my unwilling seat, evidently gave new spirits to the regicides; the moment was critical. Even in Jacobinism all were not equally black, and the fear of the national revulsion at so desperate a deed startled many, who might not have been withheld by feelings of humanity. The leaders had held a secret consultation while the debate was drawing on its slow length, and Danton's old expedient of "terror" was resolved on. His emissaries had been sent round Paris to summon all his banditti; and the low _cafés_, the Faubourg taverns, and every haunt of violence, and the very drunkenness of crime, had poured forth. The remnant of the Marseillois--a gang of actual galley-slaves, who had led the late massacres--the paid assassins of the Marais, and the _sabreurs_ of the Royal Guard, who after treason to their king, had found profitable trade in living on the robbery and blood of the nobles and priests, formed this reinforcement; and their entrance into the gallery was recognised by a clapping of hands from below, which they answered by a roar, accompanied with the significant sign of clashing their knives and sabres.