Blackwood's Edinburgh Magazine - Volume 55, No. 343, May 1844Various
History
Blackwood's Edinburgh Magazine - Volume 55, No. 343, May 1844
Various
England -- Periodicals; Scotland -- Periodicals
"The scale," said I, "goes down too suddenly in that case: she had
better remain the beautiful and happy creature that she is. Yet a being
formed in this expressive mould was not meant either to live or die like
the rest of the world."
"True, in other countries," said Elnathan, with a glance round, as if a
_huissier_ was at his elbow; "but here the affair is different--or
rather, the course of nature is the scaffold. That beautiful woman has
lately had the narrowest escape from the Revolutionary committee; and I
can tell you that it is utterly impossible to know what to-morrow may
bring even to her. She is too lovely not to be an object of rivalry; and
a word may be death."
Such was my first sight of Josephine de Beauharnais.
This charming performance proceeded with infinite interest. But it
differed from the course which I have since seen it take. The scene next
showed Virginie in France. She was in the midst of all the animation of
Parisian life--no longer the simple and exquisite child of nature, but
the conscious beauty; still in all the bloom of girlhood, but exhibiting
the graces of the woman of fashion. Surrounded by the admiration and
adulation of the glittering world, she had given herself up to its
influence, until her early feelings were beginning to fade away. The
scene opened with a ball. Virginie, dressed in the perfection of
Parisian taste, was floating down the dance, radiant with jewels and
joy, the very image of delight, when her eye dropped upon the figure of
a stranger, standing in a recess of the superb apartment, with arms
folded, a moody brow, and a burning gaze fixed upon her. A pang shot
through her heart. In her exquisite acting, a single gesture, a single
glance, showed that all the recollections of her native isle had
returned. She was the child of nature and of sensibility once more. She
tottered from the dance, tremblingly approached the stranger, and fell
at his feet. That stranger was Paul; and Talma, in his finest tragedy,
never displayed more profound emotion, nor produced more enthusiastic
applause, than when he raised her up, and with one look, and one word,
"Virginie,"--forgot all and forgave all.
Public-domain text, read in full here on John Shaqi.
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