As to the way and style of the Fairy operations that carry out this drift, comparing the Two Tales, you will see, that omitting, as a matter that is related merely, not presented, that misadventure under the oak-tree--there is, in the chamber of Swanhilda, but a Fairy delegation active, whilst under the Sun's hill whole Elfdom is in presence; in that resplendent hollow, wearing their own lovely shapes; within the German castle-walls, in apt masquerade. There they were grave. Here, we have already said, that they are merry. There their office was to feel and to think. Here, if there be any trust in apparitions, they drink, and what is more critical for an Elfin lip--they eat! Lastly, to end the comparisons for our well-bred, well-dressed, and right courtly cavalier, who transacted between the Fairy Queen and the stonemason's daughter, him you shall presently see turned into a sort of Elfin cupbearer or court butler; not without fairy grace of person and of mind assuredly; not without a due innate sense of the beautiful, as his perfumed name (SWEETFLOWER) at the outset warns you; and, as the proximity of his function to her Majesty's person--for we do not here fall in with any thing like mention of a king--would suggest, independently of the delicately responsible part borne by him in the action, the chief stress of which you will find incumbent upon his capable shoulders. Such, in respect of the subject, is, thrice courteous and intelligent reader, the second piece of art, which we are glad to have the opportunity of placing before you, from our clever friend Ernst Willkomm's apparently right fertile easel. The second, answering to the first, LIKE and UNLIKE, you perceive, as two companion pictures should be. But it would be worse than useless to tell you that which you have seen and that which you will see, unless, from the juxtaposition of the two fables, there followed--a moral. They have, as we apprehend, a moral--_i.e._ one moral, and that a grave one, in common between them. Hitherto we have superficially compared THE FAIRIES' SABBATH and the FAIRY TUTOR. We now wish to develope a profounder analogy connecting them. We have compared them, as if ESTHETICALLY; we would now compare them MYTHOLOGICALLY--for, in our understanding, there lies at the very foundation of both tales A MYTHOLOGICAL ROOT--by whomsoever set, whether by Ernst Willkomm to-day, or by the population of the Lusatian mountains--three, six, ten centuries ago; or, in unreckoned antiquity, by the common Ancestors of the believers, who, in still unmeasured antiquity, brought the superstition of the Fairies out of central Asia to remote occidental Europe. This ROOT we are bold to think is--"A DEEPLY SEATED ATTRACTION, ALLYING THE FAIRY MIND TO THE PURITY AND INTEGRITY OF THE MORAL WILL IN THE MIND OF MEN." And first for the Tale which presently concerns us:--THE FAIRY TUTOR.