This species of difficulty meets us, in one instance, in the tragedy of
Schiller, in an unexpected and unnecessary manner. How are we to
understand the thunder which is heard in apparent confirmation of the
cruel accusation of Thibaut? As a mere coincidence, as a mere natural
phenomenon, we can hardly view it; appearing as it does in this
atmosphere of wonders. The archbishop seems to think that possibly the
thunder might testify _for_ Johanna. But as the effect is to produce her
condemnation, it is impossible it could have been _intended_ by Heaven
for her acquittal. And yet, if we are to look upon it as corroborating
the accusation of the father, it not only passes a very severe sentence
upon Johanna, but it sanctions the gross falsehood of this atrabilious
parent.
Amongst the continental critics, Schiller's _Maid of Orleans_ has been
especially commended as a vindication of the character of Johanna from
the vile representation it had endured from the hands of Voltaire. But
here, in England, _La Pucelle_ was never more popular than it deserved
to be--was never popular at all; no one had taken his impression of Joan
d'Arc from this tawdry performance; and we find a difficulty in
understanding how Schiller, writing to Wieland, could represent the poem
of Voltaire as a great obstacle in his way. As little had we received
our impression of Joan d'Arc from Shakspeare's tragedy of the _First
Part of Henry VI_., where she is represented as a mere witch and
courtesan, represented, in fact, in the vulgar aspect in which she still
probably appeared to an English populace. The subject was with us, when
Schiller wrote, new and open; we had received our impression only from
history, and history had spoken well of Johanna.[1]
[1] It is thus that Hume concludes his account of her:--"This admirable
heroine, to whom the more generous superstition of the ancients would
have erected altars, was, on pretence of heresy and magic, delivered
over alive to the flames, and expiated by that dreadful punishment the
signal services she had rendered to her prince and her native country."
Public-domain text, read in full here on John Shaqi.
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