Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844Various
History
Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844
Various
England -- Periodicals; Scotland -- Periodicals
"It was he who saved my life," answered Magdalena, striving to repress
her sobbing, "when in the midst of the snows, and the keen blast of
winter, death had laid hands upon me. Ever since, he has cherished and
nourished the unknown outcast in his abode."
"Generous youth!" said the stranger. "I came to witness, alone and
unbiassed, his progress in his noble art; and I find that the heart
soars as nobly as the head. So should ever be true genius! Yes, yes!" he
murmured to himself, looking around, "he advances towards perfection
with rapid strides. This arabesque is exquisite. And this head, how
beautiful! And yon statue of our Holy Mother--what heavenly grace in its
fashioning!"
And with more of such commendatory observations, interspersed now and
then with a few gentle criticisms, which showed the connoisseur as well
as the gratified admirer, he took up and examined the various designs
dispersed upon the table. When his curiosity seemed fully satisfied, he
again turned to Magdalena.
"I must away," he said; "for I have still many arduous and painful
duties to perform, and my time is limited. I rely upon thy strict
secrecy, Magdalena. I would not it should be known that I was here. And
remember, in three days at Saint Bridget's convent!"
With these words he stretched forth his hand. She again knelt, and
kissed it devoutly; and pulling his black robe and cowl more closely
about his face and person, the monk disappeared by the concealed door.
Magdalena still knelt, overcome by her various emotions, when a sound
from the window looking into the river startled her, and caused her to
turn round. An involuntary scream burst from her lips; for from among
the branches of a tree that grew upon the river's banks, and overhung
the window, peered, through the dingy panes, the pale face of the
witchfinder.
Public-domain text, read in full here on John Shaqi.
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