Blackwood's Edinburgh Magazine, Volume 56, Number 349, November, 1844Various
History
Blackwood's Edinburgh Magazine, Volume 56, Number 349, November, 1844
Various
England -- Periodicals; Scotland -- Periodicals
This title of the individual, whether workman or capitalist, to the
control and conduct of his own affairs--this "fair field and no favour"
system--is not to be described as if it were a mere theory of political
economy, and disputable like some other branches of a science not yet
matured. It is the great conquest of modern civilization; it is the
indispensable condition to the full development of the activity and
enterprise of man. The liberation of the artisan and the labourer, is
the signal triumph of modern over ancient times whether we regard
classic or Gothic antiquity. Viewing things on a large scale, it may be
considered as a _late_ triumph; and, without depreciating its value, we
may easily admit that there remains much to be done in the cultivation
of the free artisan, to enable him to govern himself, and make the best
of his position. But any scheme, which, under the pretext of
ameliorating his position, would place him again under tutelage, is a
scheme of degradation and a retrograde movement. He is now a freeman, an
enrolled member of a civilized state, where each individual has, to a
great extent, the responsibility thrown upon himself for his own
well-being; he must have prospective cares, and grow acquainted with the
thoughtful virtue of prudence. That release from reflection, and anxiety
for the future, which is the compensating privilege of the slave or the
barbarian, he cannot hope any longer to enjoy. Whatever its value, he
must renounce it. He must become one of us, knowing good and evil,
looking before and behind. In this direction--in the gradual improvement
of the labourer--lies our future progress, progress slow and toilsome,
little suited to the socialist who calculates on changing, as with the
touch of a wand, the whole aspect of society.
Public-domain text, read in full here on John Shaqi.
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