Blackwood's Edinburgh Magazine, Volume 56, Number 350, December 1844Various
History
Blackwood's Edinburgh Magazine, Volume 56, Number 350, December 1844
Various
England -- Periodicals; Scotland -- Periodicals
In order to see Natalie for the last time, I repaired to the convent
church, in which, according to custom, her corpse was laid out. With
faltering and uncertain steps I passed through the aisle, and reached
the chapel where the remains of her I had so fondly loved were lying.
I stepped up to the bier, but the next instant turned away my face. I
lacked courage to look upon the cold corpse of my adored mistress. A
violent dizziness seized me, the pillars around me seemed to turn and
twist about, and the roof of the church to shake. I sank senseless
upon a chair.
How long I may have remained in that state I am unable to say. It was
night when consciousness returned, and the moon was shedding its cold,
clear light through the high Gothic windows. I felt heated and
excited; all manner of strange fancies passed through my head, the
predominant one being to go at once and wander about the world, till I
should discover the fiend to whom the misery I now suffered was
attributable. Before doing so, however, I must see my Natalie once
more. I stepped up to the coffin. Natalie lay there in her nun's
garments, a crucifix upon her breast, and a veil surrounding her face,
which, to my inexpressible astonishment and horror, I now saw was
covered with a mask.
I was at first unable to explain this singular circumstance, but then
it occurred to me that her lovely features had been said to be much
distorted in death, and doubtless her friends had taken this means of
concealing them from the gaze of vulgar curiosity. I would see her
though, I thought; I would kiss those lips, once so warm and
love-breathing, now so pale and chilled. The better if, in her
death-like embrace, I found an end to my life and suffering. I
stretched out my hand to detach the mask, which was by no means
unpleasing in its appearance. It reminded me of the one spoken of by
my father in one of his letters; and as I stood looking at it, I
little by little persuaded myself it must be the same. The lips curved
into a mournful smile, an attractive expression on the features; only
the sockets for the eyes were empty, and through them shone the glazed
orbs of the departed.
Whilst given up to these reflections, I suddenly heard a slight
rustling noise near me. I looked round, and saw a muffled figure
sitting at a short distance off, in which I thought I recognized some
old nun keeping her drowsy vigil by the dead. I took no heed of her,
but stretched out my hand to tear the mask from Natalie's face, when
suddenly the figure rose, and with three long, noiseless strides,
stood close beside me. The robe in which it was muffled opened, and I
beheld--Manucci! not the Manucci I had seen at the faro-table, nor yet
he who had lived for years near my mother's house, but the grey old
man who had appeared to me on the night of my father's arrival, and
had said, "Do I look like a murderer?"
"Thou here, villain!" I exclaimed, on beholding this unexpected
apparition. "The hand of heaven is in this!"
Public-domain text, read in full here on John Shaqi.
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