Blackwood's Edinburgh Magazine, Volume 57, No. 354, April 1845Various
General
Blackwood's Edinburgh Magazine, Volume 57, No. 354, April 1845
Various
England -- Periodicals; Scotland -- Periodicals
startling; but when he ascends to the higher and larger animals, whose
forms and habits are well known to us--when he has to find a father for
the horse, the lion, the rhinoceros, the elephant--his phenomenon, we are
sure, will no longer retain its "simple and modest character."
Naturalists have observed, that there is a striking _uniformity of plan_
even amongst animals of very different habits, and which, perhaps, inhabit
different elements; they have remarked, that this uniformity is adhered to
even when it appears to answer no specific purpose, as when in the fin of
a whale the unbending bone bears the semblance of the jointed hand. This,
too, is pressed into the service of our author's hypothesis. It is a
curious fact. But if we say of it, that it appears to hint the existence
of _some law_, and to tempt the investigation of the physiologist, we
assign to it all the scientific importance that it can possibly deserve.
Some physiologists, we must be permitted to observe, have rather amused
themselves by a display of ingenuity, than profited science by their
discoveries of a _unity of structure_ in animals of the most opposite
description. It is easy to surprise the imagination by pointing out
unexpected resemblances, if all cases of diversity are at the same time
kept out of view. These writers will mention, for instance, that all
quadrupeds have uniformly _seven_ bones in the neck. The giraffe has no
more than the pig. But they refuse to mention at the same time, that in
_birds_ the number varies from nine to twenty-three, and in _reptiles_
from three to eight. Sometimes the merest fancy is indulged. We are told
that in the pulpy substance of a certain mollusk there are lines drawn
presenting a sketch of a vertebrated animal, and it is gravely intimated
that nature seems to have made a rough design of the next work of art she
was about to produce.
Public-domain text, read in full here on John Shaqi.
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