Blackwood's Edinburgh Magazine, Volume 57, No. 355, May 1845Various
Philosophy
Blackwood's Edinburgh Magazine, Volume 57, No. 355, May 1845
Various
England -- Periodicals; Scotland -- Periodicals
They desire to pass for worthy, wise, good, rich,
and in particular for having been favourably regarded by the brightest
eyes. The whole of this undeserved reputation is instantaneously granted
them. Another troop follow with like desert and with like request. Eolus
takes up as bidden his "black clarioun," and blazons their dishonour. A
troop of evil-doers ask for good fame. The goddess is not in the humour,
and takes no notice of them. The last comers of all are delighters in
wickedness for its own sake, and request their due ill fame. Amongst them
is "that ilke shrewe that brente the temple of Isidis in Athenes." This
is, no doubt, the gentleman who burned the Temple of Diana at Ephesus for
that laudable purpose. The goddess is complaisant, and grants them exactly
their desire.
There stands by the first, a second House of Fame of a strange sort. It is
built cage-like of twigs, is sixty miles in length, whirls incessantly
about, and is full of all imaginable noises--the rumours of all events,
private and public, that happen upon earth, including murrains, tempests,
and conflagrations. The eagle gets the dreamer in, and he notes the
humours of the place. This is most remarkable, that as soon as any one of
the innumerable persons, in press, there hears a tiding, he forthwith
whispers it with an addition to another, and he, with a further eking, to
a third, until in a little while it is known every where, and has attained
immeasurable magnitude--as from a spark the fire is kindled that burns
down a city. The tidings fly out at windows. A true and a false tiding
jostled in their way out, and after some jangling for precedency, agreed
to fly together. Since which time, no lie is without some truth, and no
truth without some falsehood. An unknown person of great reverence and
authority making his appearance, the poet, apparently disturbed with awe,
awakes, wonders, and falls to writing his dream.
The criticism of so strange a composition is hardly to be attempted. It
shows a bold and free spirit of invention, and some great and poetical
conceiving. The wilful, now just, now perverse dispensing of fame, belongs
to a mind that has meditated upon the human world. The poem is one of the
smaller number, which seems hitherto to stand free from the suspicion of
having been taken from other poets. For Chaucer helped himself to every
thing worth using that came to hand.
The earlier writings of Chaucer have several marks that belong to the
literature of the time.
Public-domain text, read in full here on John Shaqi.
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