hidden in the laurel, sang "the service longing to May," flies to the hand of the Leaf-queen, and sings on as diligently as before--the Goldfinch, whom the heat had forced from his blossom of "medle-tree" into the cool bushes, betakes himself in like manner to his Flower-queen's hand, and sings there; and fast by the arbour, where our spectatress has remained all the while seeing and unseen, ladies and knights ride along and away. Only one lady in white rides alone after the rest. To her she comes out, and enquires what the wandering show means. The answer, given with courteous explicitness, imports in sum that those who wear chaplets of Agnus Castus are virgins; the laurel wearers, knights who were never conquered; the Nine most distinguished knights being the Nine Worthies; with whom are the Twelve Peers of Charlemagne, and many "knightes olde" of the Garter. Those who wear woodbine "Be such as never were To love untrewe in word, thoghte, ne dede." They wear the Leaf, because the beauty of the Leaf lasts. But the followers of the Flower are "those that loved idlenesse and not delite of no besinesse, but for to hunte and hawke and pley in medes, and many other such idle dedes." They wear the perishable Flower accordingly. The informant ends with enquiring of her auditress, whether she will, for the years to come, serve the Leaf or the Flower; who in answer vows her observance to the Leaf. The deep implication of the ancient mythology in the reviving poetry, here again discovers itself. It appears the lady of the Leaf is the goddess Diana; the lady of the Flower, Flora in person.