was leaning on his arm--his personal crimes, if any, were so little
known, that he was on the point of being dismissed from the bar for want
of an accuser. Pindar, in his red cap, with his many-stringed harp in
his hand, was there; and all Helicon glowed like molten lead in his
vindictive heart when he looked at the miserable pair. "What sentence
shall we pass on the person called Grimod, ci-devant sub-collector of
taxes, and the woman beside him, who has aided and abetted him in
several attempts to escape from the censorship of the Committee of
Public Safety?" The accused looked timidly round, in hopes that no
answer would be returned to this routine enquiry, in which case their
safety would have been assured; but red-capped Pindar struck his hand
hurriedly over the chords, and cried, in the shrill sharp tones, that
both the prisoners remembered too well, "A la mort! a la mort!" and in
ten minutes their bodies were lying headless, side by side, amidst the
hootings and howlings of ten thousand demons, exemplifying to astonished
Europe the perfection of civilization and philanthropy. Little more
needs to be said of the Sieur Lebrun. He lived through the dangers of
the Revolution; wrote odes and satires indiscriminately on friend and
foe; worshipped power to the last, and was the sycophant, and would have
been the murderer, of Napoleon, as he had been of Louis and Robespierre;
and died at last in receipt of a pension from the state, member (like
Lord Brougham) of the National Institute of France; and had his
panegyric pronounced on him by his successor, as if he had united the
virtues of Aristides to the genius of Homer. Whereas, we take him to
have been the true type of the Frenchman of his time--a monkey, till he
got the taste of blood, and then a tiger.
FOOTNOTES:
[Footnote 3: In case we should have done injustice to the poetical
inspiration of the Dame Lebrun, we give the originals--
"Tu captives tous les suffrages,
Tes talens sont cheris des dieux;
Puisse ton nom, dans tous les ages,
S'immortaliser avec eux!
D'Apollon recois cette lyre,
Pour chanter au sacre vallon;
Dans tes mains meme on pourra dire,
C'est toujours cette d'Apollon!"]
[Footnote 4:
"Que les dieux te courronnent;
Moi, je n'ai qu'un verger;
Mais le coeur assaisonne
Les presens des bergers.
Si des fruits de Pomone
Tu devenais friand,
Je te promets, a chaque automne,
De t'en offrir autant."]
CENNINO CENNINI ON PAINTING.
TRANSLATED FROM THE ITALIAN BY MRS MERRIFIELD.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account