After taking note of the distinctive qualities of the drama and the novel, it were well--O author that will be!--to take note of thyself, and observe what manner of talent is strongest within thee. There are two descriptions of men of genius. The one are men of genius in virtue of their own quick feelings and intense reflection; they have imagination, but it is chiefly kindled by their own personal emotions: they write from the inspiration of their own hearts; they see the world in the height of their own joys and afflictions. These amiable egotists fill all nature with the voice of their own plaints, and they have ever a tangled skein of their own peculiar thoughts to unravel and to ravel again. The second order of men of genius, albeit they are not deficient in keen susceptibility or profound reflection, see the world outstretched before them, as it lies beneath the impartial light of heaven; they understand, they master it; they turn the great globe round under the sun; they make their own mimic variations after its strange and varied pattern. Now you must take rank, high or low, amongst this second order of men of genius, if you are to prosper in the land of fiction and romance. Pray, do you--as I half suspect--do you, when sitting down to sketch out some budding romance, find that you have filled your paper with the analysis of a character or a sentiment, and that you have risen from your desk without relating a single incident, or advancing your story beyond the first attitude, the first _pose_ of your hero? If so, I doubt of your aptitude for the novel. I know that you have some noble ideas of elevating the standard of the romance, and, by retarding and subduing the interest of the narrative, to make this combine with more elaborate beauties, and more subtle thought, that has been hitherto considered as legitimately appertaining to the novel. I like the idea--I should rejoice to see it executed; but pardon me, if the very circumstance of you being possessed with this idea, leads me to augur ill of you as a writer of fiction. You have not love enough for your story, nor sufficient confidence in it. You are afraid of every sentence which has in it no peculiar beauty of diction or of sentiment. A novelist must be liberal of letter-press, must feel no remorse at leading us down, page after page, destitute of all other merit than that of conducting us to his _denouement_: he writes not by sentences; takes no account of paragraphs; he strides from chapter to chapter, from volume to volume. "Verily," I think I hear you say, "you are the most consolatory of counsellors; you advise me to commence with the drama--but with no prospect of success--in order to prepare myself for a failure in the novel!"