The _Memoire_ commences with some general reflections on the advantages
possessed by a pretty woman, in all cases of a quarrel with a man. And
when, in addition to her prettiness, she has the art to appear ill-used,
there is no resisting her attacks. A halo of sympathy gathers round her,
while a cloud envelopes the unfortunate antagonist; and people at last
think that they are performing an act of pure and disinterested justice,
when they kick him into the Seine. Impressed with this disagreeable
conviction, (from which we gather that Madame Lebrun was a handsome
woman, while the husband was nothing to boast of--at all events compared
to the Sieur Grimod,) he hurries on to the facts--and they rather alter
the appearance of affairs.
It was in the year 1760, as we have said, that the Sieur Lebrun married
the Demoiselle de Surcourt. Interest and ambition had nothing to do with
the match. Love was the only fastener of the bond. The Sieur Lebrun and
the Demoiselle de Surcourt had been acquainted--had been lovers--for
three years. And that passion, born of a sympathy of tastes and
sentiments, had grown in mystery--a secret correspondence was its
aliment and interpreter--a delicious correspondence--where the
Demoiselle de Surcourt knew how to combine the sallies of imagination
with the soft outpourings of the soul, or the burning expressions of her
love! Pardon the Sieur Lebrun if he transcribes a few passages from her
letters; Madame Lebrun, above all, ought to excuse him. It is not
betraying her secrets; it is recalling her to herself, and to a
sentiment she would never have forsworn, if she had been allowed to
follow the dictates of her heart:--
"From my bed, this Tuesday evening.
Public-domain text, read in full here on John Shaqi.
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