Blackwood's Edinburgh Magazine, Volume 58, No. 362, December 1845Various
History
Blackwood's Edinburgh Magazine, Volume 58, No. 362, December 1845
Various
England -- Periodicals; Scotland -- Periodicals
I have alluded to the sunset seen in this valley. All travellers love
to talk a little of their own experience, their good or their ill
fortune. The first evening I entered Chamouni, the clouds had gathered
on the summits of the mountains, and a view of Mont Blanc was thought
hopeless. Nevertheless I sallied forth, and planted myself in the
valley, with a singular confidence in the goodness of nature towards
one who was the humblest but one of the sincerest of her votaries. My
confidence was rewarded. The clouds dispersed, and the roseate sunset
on the mountain was seen to perfection. I had not yet learned to
distinguish that summit which, in an especial manner, bears the name
of Mont Blanc. There is a modesty in its greatness. It makes no
ostentatious claim to be the highest in the range, and is content if
for a time you give the glory of pre-eminence to others. But it
reserves a convincing proof of its own superiority. I had been looking
elsewhere, and in a wrong direction, for Mont Blanc, when I found that
all the summits had sunk, like the clouds when day deserts them, into
a cold dead white--all but one point, that still glowed with the
radiance of the sun when all beside had lost it. There was the royal
mountain.
What a cold, corpse-like hue it is which the snow-mountain assumes
just after the sun has quitted it. There is a short interval then,
when it seems the very image of death. But the moon rises, or the
stars take up their place, and the mountain resumes its beauty and its
life. Beauty is always life. Under the star-light how ethereal does it
look!
* * * * *
In the landscapes of other countries, the house--the habitation of
man--be it farm-house or cottage--gathers, so to speak, some of the
country about itself--makes itself the centre of some circle, however
small. Not so in Switzerland. The hooded chalet, which even in summer
speaks so plainly of winter, and stands ever prepared with its low
drooping roof to shelter its eyes and ears from the snow and the
wind--these dot the landscape most charmingly, but yet are lost in it;
they form no group, no central point in the scene. I am thinking more
particularly of the chalets in the Oberland. There is no path
apparently between one and the other; the beautiful green verdure lies
untrodden around them. One would say, the inhabitants found their way
to them like birds to their nests. And like enough to nests they are,
both in the elevation at which they are sometimes perched, and in the
manner of their distribution over the scene.
Public-domain text, read in full here on John Shaqi.
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