One of these personages was a woman of middle age, whose form, although full, was peculiarly well made, and whose delicate but well fleshed hands were of striking beauty. The fair face was full and fat, but very pale; the eyes were fine and dark, and the whole expression of her physiognomy was in general calm, almost to mildness. But yet there lurked a haughty air on that pale brow; and at times a look of searching inquisitiveness, amounting almost to cunning, shot from those dark eyes. Her ample dress was entirely black, and unrelieved by any of the embroidery or ornament so much lavished upon the dress of the higher classes at that time; a pair of long white ruffles turned back upon the sleeve, and a large standing collar of spotless purity, alone gave light to the dark picture of her form. Upon her head she wore a sort of skull-cap of black velvet, descending with a sharp peak upon her forehead--the cowl-like air of which might almost have given her the appearance of the superior of some monastic community, had not the cold imperious physiognomy of the abbess been modified by a frequent bland smile, which showed her power of assuming the arts of seduction at will, and her practice of courts. She leaned her arms upon the table, whilst she studied with evident curiosity every movement of her companion, who was engaged in poring, by the light of a lamp, over a variety of strange manuscripts, all covered with the figures, cyphers, and hieroglyphics used in cabalistic calculations. This other personage was a man, whose appearance of age seemed to be more studied than real. His grey hair, contrary to the custom of the times, fell in thick locks upon his shoulders; and a white beard swept his dark velvet robe, which was fashioned to bestow upon him an air of priestly dignity; but his face was florid, and full of vigour, and the few wrinkles were furrowed only upon his brow.