A significant motion of his hand round his throat, completed the sentence in a manner doubtless comprehensible enough to the esquilador. The latter now turned himself about, and supported himself with his breast and arms upon the roof, his legs and the lower part of his body hanging against the side wall of the house. Paco kept his seat behind the chimney, astride as before, and gathering up the rope, held it firmly. Gradually the gipsy slid down; his breast was off the roof, then his arms, and he merely hung on by his hands. His hold was then transferred to the rope above his head, of which one end was round his waist and the other in the hands of Paco. All this was effected with a caution and absence of noise truly extraordinary, and proving wonderful coolness and habit of danger on the part of the two actors in the strange scene. As the gipsy hung suspended in the air, Paco began gradually paying out the rope, inch by inch. This process, owing to the light weight of the gipsy, and to the check given to the running of the cord by the chimney round which it was turned, he was enabled without difficulty to accomplish and regulate. In a brief space of time a sensible diminution of the strain warned him that the gitano had found some additional means of support. For the space of about three minutes Paco sat still, holding the rope firmly, but giving out no more of it; then pulling towards him, he found it come to his hand without opposition. He drew it all in, again twisted it about his body, and lying down upon his belly, put his head over the edge of the tiles to see what was passing beneath. All was quiet; no light was visible from the window of Herrera's room, which was at about a dozen feet below him. The mist and thick darkness prevented any view of the sentry; but he could hear the sound of his footsteps, and the burden of the royalist ditty which he was churming between his teeth.