The tread of the sentry was heard, and at that moment, the glare of a
lantern fell upon the trees, bordering a field opposite the window.
Beyond that field the ground was broken and uneven, covered with tall
bushes, fern, and masses of rock, and sloping upwards towards the
neighbouring hills. The light drew nearer; the sentry challenged. It was
the relief. Their heads in the embrasure of the window, Herrera and the
gipsy could hear every word that passed. The man going off sentry gave
over his instructions to his successor. They were few and short. The
principal was, to fire upon any one of the prisoners who should so much
as show himself at a window.
By the light of the lantern which the corporal carried, Paco, who was
still peering over the edge of the roof, distinguished the features of
the new sentry. They were those of Perrico the Christino deserter. The
relief marched away, the sentinel shouldered his musket, and walked
slowly up to the further end of his post.
"Now then," said the gipsy to Herrera, "fix the rope round your waist.
We will let him pass once more, and when he again turns his back, I will
lower you. I shall be on the ground nearly as quickly as yourself, and
then keep close to me. Take this, it may be useful."
And he handed him a formidable clasp-knife, of which the curved and
sharp-pointed blade was fitted into a strong horn handle. With some
repugnance, but aware of the possible necessity he might find for it,
Herrera took the weapon. The rope was round his waist, and, with his
hands upon the embrasure of the window, he only waited to spring out for
a signal from the gipsy, who was watching, as well as the obscurity
would permit, the movements of the soldier. The night was growing
lighter, the wind had risen and swept away the mist from the fields,
overhead the clouds had broken, and stars were visible, sparkling in
their setting of dark blue enamel.
"Now!" said the gipsy, who held the slack of the rope gathered up in his
hands. "No, stop!" cried he, in a sharp whisper, checking Herrera, who
was about to jump out, and drawing hastily back. "Hell and the devil!
What is he about?"
Public-domain text, read in full here on John Shaqi.
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