Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846Various
History
Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846
Various
England -- Periodicals; Scotland -- Periodicals
We mused on music some while ago; and as the subject still haunts
us--very much after the manner of an obstinate ghost that refuses to be
laid, even by the choicest Latin--we are strongly disposed to try the
effect of giving it full swing for once; and in idle mood, too idle to
oppose ourselves to its tyranny, letting it carry us whither it will, in
the hope that, in return for our complacence, it may in future suffer us
to conduct our meditations according to our own pleasure, and give that
sad and serious thought, which their merits demand, to the gravities of
this life--to corn-laws and _poor_-laws, (of all sorts!) and the Irish
question, and the debates to which all these give occasion, in reading
which we have already worn out we know not how many pairs of spectacles,
and one pair of excellent eyes; and last, not least, to the marchings
and counter-marchings of the House of Commons, in which we are deeply
interested.
With such a course of study before us, we are disposed to make the most
of our holiday; and should we chance to be a little too frisky, it must
be borne in mind that retribution is at hand, and that we shall speedily
become as solemn as ever a fool in the land, as dull as an owl bathing
its eyes in the morning sunshine, which--having overslept itself--it
takes for the full moon, and dismal enough to satisfy the most ardent
advocate of the religious duty of being miserable,--eschewing laughter
as we would the tax-gatherer, and refreshing our oppressed spirits alone
with serious jokes, and such merriment as may be presented to us under
the sanction and recommendation of a college of dissenting divines!
But our harp will be a mingled one, for so is our theme; having a
sympathy alike for our mirthful and sorrowful moments, which it alike
spiritualizes; striking the light, gleesome chord to the one, and
attuning the soul to more ethereal joy; while by its soft influence it
tones down the harshness of bitter, _unavailing_ sorrow, and woos the
heart, misanthropizing under the pangs of grief or unrequited love--pent
up in its own solitude, unpitied and uncared for--and filled with dark
thoughts, and sad sounds, and tones of plaintive winds, sighing through
the cypress and doleful yew with mournful melody around the
resting-place of the loved and lost, to submissive lamentings, and slow
stealing tears that assuage its aching anguish and tranquillize the
spirit, leading it to the hope of a brighter future, in whose dawning
beams it will, ere-long, show like "the tender grass, clear-shining
after rain"--more glistening and beautiful for the invigorating dews of
the cloud which had overhung it, and beneath whose gloom its beauty
faded away--for very trouble!
Public-domain text, read in full here on John Shaqi.
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