on, through each dreary minute of those dreary hours, an infinity, or perchance but twenty-four, according as time is computed by clocks or by agonised human beings. It made a capital Purgatory; one which we have even deemed every way adequate to those slight delinquencies of which we may have been guilty, and which are appointed, as it is understood, to be expiated in this way. At times some simple air, or even a single chord of unusual, but apparently obvious harmony, will haunt us with a peculiar sweetness, producing a soothing, gentle sadness, as though we listened to distant bells, whose music is borne in surges on the breeze that sways the golden corn on a sunny Sabbath, when our pathway lies through the undulating fields, already "white unto the harvest;" where the pleasant rustling of the ripened grain, as it is stirred by the soft wind, is sweet and soothing; and the gay poppy, and other less obtrusive, though not less beautiful wild-flowers, bloom at our loitering feet. In the power of exciting such feeling, what can equal our old English ballads? There is an inexpressible charm in these, and we would almost give our fingers to be able to describe that indescribable _something_, which constitutes their peculiar fascination and power over the imagination. Most plain, most artless, does their composition appear; like the natural out-breathing of the heart in its sunny moments; and yet--as with all earthly brightness--with a trace of cloud on that sunshine. They are redolent of the "olden time;" and as they fall softly on the ear, the antique hall, with its groined roof, and mullioned window, glowing with rich heraldic devices, through which the many-tinted lights fall tenderly on arch and pillar, and elaborately fretted walls, studded with ancestral armour, rises up before us; and with the melting tones of the lute, mingles the low, clear voice of a gentle maiden, whose small foot and brocaded train are just seen from behind yonder deeply sculptured oaken screen. What innocence is in that voice! and how expressive are the chords that accompany it--less elaborate and fantastic, perchance, than might win favour in our vitiated ears; but natural, harmonious, full, and in exquisite subordination to the air, which they fill up and enrich, instead of overpowering with misplaced beauty.