Blackwood's Edinburgh Magazine, Volume 61, No. 378, April, 1847Various
History
Blackwood's Edinburgh Magazine, Volume 61, No. 378, April, 1847
Various
England -- Periodicals; Scotland -- Periodicals
In parting company with the editor of these letters and speeches, we
feel that we have not done justice to the editorial industry and
research which these volumes display. Our space would not permit it. For
the same reason we have been unable to quote several instances of vivid
narrative, which we had hoped to transfer to our own pages. And as to
our main quarrel with him--this outrageous adoption of Puritanical bile
and superstition,--we have been haunted all along by a suspicion we have
occasionally expressed, that the man _cannot_ be in earnest. He could
not have been so abandoned by his common sense. He has been so
accustomed to mingle sport, and buffoonery, and all sorts of wilful
extravagance, with his most serious mood, that he perhaps does not know
himself when, and how far, he is in earnest. In turning over the leaves
of his work, we light, towards the end of the second volume, upon the
following passage, which may, _perhaps_, explain the temper of the
writer, when he is abetting and encouraging his fanatical heroes. He is
uttering some sarcasms upon the poor "art of speech."
"Is there no sacredness, then, any longer in the miraculous tongue of
man? Is his head become a wretched cracked pitcher, on which you jingle
to frighten crows, and makes bees hive? He fills me with terror, this
two-legged rhetorical phantasm! I could long for an Oliver without
rhetoric at all. I could long for a Mahomet, whose persuasive eloquence,
with wild-flashing heart and scimiter, is, 'Wretched moral, give up
that; or by the Eternal, thy maker and mine, I will kill thee! Thou
blasphemous scandalous misbirth of Nature, is not even _that_ the
kindest thing I can do for thee, if thou repent not, and alter in the
name of Allah?'"
To this sort of satirical humour--to "the truth of a song,"--not
Dryasdust himself would call upon him to swear. And may not all his
rhapsodies upon his "sword-in-hand" Puritans be little more than an
amplification of this one passage? And, if we insist upon it, that a
reform by the pen, or even by speech-making, is better than one by pike
and musket--if we should suggest that matters of civil government are
better decided by civil and political reasoning than by metaphorical
texts of Scripture, interpreted by prejudice and passion--if we contend
for such truisms as these, shall we not be in danger of occupying some
such position as the worthy prelate whose sagacity led him to discover
that _some facts_ in Gulliver's Travels had surely been overcharged?
FOOTNOTES:
[1] _Oliver Cromwell's Letters and Speeches, with Elucidations by Thomas
Carlyle._
Public-domain text, read in full here on John Shaqi.
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