Blackwood's Edinburgh Magazine, Volume 61, No. 378, April, 1847Various
History
Blackwood's Edinburgh Magazine, Volume 61, No. 378, April, 1847
Various
England -- Periodicals; Scotland -- Periodicals
My friend had not, indeed, always been a dreamer: and although this is
no place to narrate his course of daring and hazardous adventure, on
which I am therefore silent, yet I wish to be allowed to re-establish
his credit for intelligence, by reporting the answer which he made, on
another occasion, to a question, as to what he thought of the
emancipation of the Negroes in our colonies. "The principle," answered
my friend, "was good, but you were in too great a hurry. Before giving
them freedom, you should have made them fit for it. They were not
impatient. Slavery is an African institution. Some outlay of public
money, and extreme care and prudence in your measures, would have
enabled you to secure their humane treatment in the interval. As fast
as they became innoculated with the wants and habits of civilised life,
you might have made _freedmen_ of the most advanced, and given them
official occupation, or allotted them land under proper conditions. One
sheep would have followed another. The fag-end you might have
emancipated together. Thirty or forty years, and a million of money,
would have done the thing. The results would have been, from first to
last, beneficial to the colonists. It would have set an example which
other nations _could_ have followed. It would have been a noble return
for having, temporarily, used the race as unmitigated slaves. It would
have been an act of enlightened philanthropy. It would have become
statesmen. What you did reads and works like the puerile suggestion of a
school-boy's theme. What you are further doing, to suppress, by force,
the trade in slaves, would have been worthy my distinguished countryman
whose biography has immortalised Cervantes. Humanity would smile at it,
but that she shudders and sickens."
But, to leave the region of dreams, which are no longer realisable, let
us shift the scene.
Public-domain text, read in full here on John Shaqi.
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