Educated for the bar, but not practising his profession, M. Merimee was one of the rising men of talent whom the July revolution pushed forward. After being _chef de cabinet_ of the Minister of the Interior, Count d'Argout, he held several appointments under government, amongst others, that of Inspector of Historical Monuments, an office he still retains. In 1844 he was elected to a chair in the French Academy, vacant by the death of the accomplished Charles Nodier. He has busied himself much with archaeological researches, and the published results of his travels in the west of France, Provence, Corsica, &c., are most learned and valuable. In the intervals of his antiquarian investigations and administrative labours, he has thrown off a number of tales and sketches, most of which first saw the light in leading French periodicals, and have since been collected and republished. They are all remarkable for grace of style and tact in management of subject. One of the longest, "Colomba," a tale of Corsican life, is better known in England than its author's name. It has been translated with accuracy and spirit, and lately has been further brought before the public, on the boards of a minor theatre, distorted into a very indifferent melodrama. The Corsican Vendetta has been taken as the basis of more than one romantic story, but, handled by M. Merimee, it has acquired new and fascinating interest; and he has enriched his little romance with a profusion of those small traits and artistical touches which exhibit the character and peculiarities of a people better than folios of dry description. "La Double Meprise," another of his longer tales, is a clever _novelette_ of Parisian life. According to English notions its subject is slippery, its main incident, and some of its minor details, improbable and unpleasant, although so neatly managed that one is less startled when reading them than shocked on after-reflection. It certainly requires skilful management to give an air of probability to such a scene as is detailed in chapter five. A French _gentleman_, a man of fortune and family, mixing in good society, is anxious for an appointment at court, and to obtain it he reckons much on the influence and good word of a certain Duke of H----. There is a benefit night at the Opera, and the young wife of the aspirant to court honours has a box. Between the acts her husband, who has unwillingly accompanied her, rambles about the house, and discovers the Duke in an inconvenient corner, where he can see nothing. His grace is not alone, but in the society of his kept-mistress. To propitiate his patron, the unscrupulous husband introduces him and his companion into the box of his unsuspecting wife! The sequel may be imagined; the stare and titter of acquaintances, the supercilious gratitude of the Duke, the astonishment of the lady at the singular tone of the pretty and elegantly dressed woman with whom she is thus unexpectedly brought in contact, and whose