M. Theophile Gautier, best known as a clever contributor to the critical _feuilleton_ of a leading Paris newspaper, also enjoys a respectable reputation as tale-teller and tourist. His books--although for the most part slight in texture, and conveying the idea that the author might have done better had he taken more pains--have certain merits of their own. His style, sometimes defaced by affectation and pedantry, has a lively smartness not unfrequently rising into wit. And in description he is decidedly happy. Possessing an artist's eye, he paints with his pen; his colouring is vivid, his outline characteristic. These qualities are especially exemplified in a spirited and picturesque, but very _French_ narrative, of an extensive ramble in Spain, published about four years ago. He has now again drawn upon his Peninsular experience to produce a tale illustrative of Spanish life and manners, chiefly in the lower classes of society. His hero is a bull-fighter, his heroine a _grisette_. Of bull-fights, especially within the last few years, one has heard enough and to spare, since every literary traveller in Spain thinks it incumbent on him to describe them. But this is the first instance we remember where the incidents of the bull-ring, and the exploits and peculiarities of its gladiators, are taken as groundwork for a romantic tale. The attempt has been crowned with very considerable success. The construction of M. Gautier's little romance is simple and inartificial, the incidents are spirited, the style is fresh and pleasant. Its character is quite Spanish, and one cannot doubt the author's personal acquaintance with the scenes and types he sketches--although here and there he has smoothed down with a little French polish the rugged angles of Spanish nationality, and in other places he may be accused of melodramatising rather over much. Through the varnish which it is the novelist's privilege to lay on with a more or less sparing brush, we obtain many interesting and correct glimpses of classes of people whose habits and customs are unknown to foreigners, and are likely to continue so, in great measure, until the appearance of Spanish writers able and willing to depict them. The three principal personages of the tale--the only important ones--are, a young gentleman of Madrid, a bull-fighter named Juancho, and an orphan girl of humble birth and great beauty. The story hinges upon the rivalry of the gentleman and the _torero_ for the good graces of the grisette. There is a secondary plot, associated and partly interwoven with the principal one, but which serves little purpose, save that of prolonging a short tale into a volume. It will scarcely be necessary to refer to it in sketching the trials of the gentle Militona, and the feats and misfortunes of the intrepid and unhappy Juancho.