Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847Various
History
Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847
Various
England -- Periodicals; Scotland -- Periodicals
Andres had reckoned without the chapter of accidents. In the Calle de
los Desamparados, a cut across the face from the whip of the surly
_calesero_, forced the ragged Mercury to let go his hold. Before he
could pick himself up, and rub the dust and tears from his eyes, the
vehicle was at the farther end of the street, and although Perico,
impressed with the importance of his mission, followed it at the top of
his speed, he lost sight of it in the labyrinth of lanes adjacent to the
Plaza de Lavapies--literally, Washfeet Square--a low quarter of Madrid.
The most he could ascertain was, that the calesin had deposited its
burthen in one of four streets, but in which of them it was impossible
to say. With the bait of a dollar before his eyes, however, the urchin
was not to be discouraged; and late that night, as Don Andres was
returning from a wearisome tertulia, whither he had been compelled to
accompany Dona Feliciana de los Rios, he felt a pull at the skirt of his
coat. It was Perico.
"Caballero," said the child, "she lives in the Calle del Povar, the
third house on the right. I saw her at her window, taking in the water
jar."
It is difficult to describe the style of architecture of the house
inhabited by Militona, unless we designate it as the order composite.
Its front was characterised by a total absence of symmetry; the walls,
sadly out of the perpendicular, seemed about to fall, and would
doubtless have done so but for the support of sundry iron curves and
crosses, which held the bricks together, and of two adjacent houses of
more solid construction. From the lower part of the ricketty fabric the
plaster had peeled off in large scales, exposing the foundation wall;
whilst the upper stories, better preserved, exhibited traces of old pink
paint, as if the poor house blushed for shame of its miserable
condition. Near the roof of broken and disorderly tiles, which marked
out a brown festoon against the bright blue sky, was a little window,
surrounded by a recent coat of white plaster. On the right of this
casement hung a cage, containing a quail: on the left another cage, of
minute dimensions, decorated with red and yellow beads, served as palace
to a cricket. A jar of porous earth, suspended by the ears to a string,
and covered with a pearly moisture, held water cooling in the evening
breeze, and from time to time allowed a few drops to fall upon two pots
of sweet basil that stood beneath it. The window was that of Militona's
apartment.
Public-domain text, read in full here on John Shaqi.
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