Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847Various
History
Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847
Various
England -- Periodicals; Scotland -- Periodicals
Aldonsa drew the bolt, and, standing close to the wall, pulled the door
back upon her for protection, like a helot letting a tiger into the
arena, or a servant admitting into the bull-ring some furious native of
Gaviria or Colmenar. Juancho, who expected more resistance, entered
slowly, as if disconcerted by the absence of obstacles. But a single
glance at Andres, stretched in Militona's bed, brought back all his
fury. He seized the door, to which Tia Aldonsa, who thought her last
hour come, clung with all her might, and shutting it in spite of the
poor old woman's efforts, placed his back against it and crossed his
arms upon his breast.
"Angels of heaven!" muttered Aldonsa, her teeth chattering with terror,
"he will murder us all three. I will call out of the window."
And she made a step in that direction. But Juancho, guessing her
intention, seized her by the gown, and with a single jerk replaced her
against the wall, her skirt half torn off.
"Hag!" he cried, "if you attempt to call out, I will twist your neck
like a fowl's, and send your old soul to the devil. Come not between me
and the object of my wrath, or I crush you on my path."
And he pointed to Andres, who, pale and feeble, in vain endeavoured to
raise his head from the pillow. It was a horrible situation. No noise
had been made that could alarm the neighbours, who, moreover, would have
been more likely to lock themselves in their rooms for fear of Juancho,
than to render assistance. There were no means of apprising the police,
or obtaining succour from without. Poor Andres, severely wounded, weak
from loss of blood, without arms, and unable to use them had he had any,
lay at the mercy of a ruffian intoxicated with rage and jealousy. All
this because he had ogled a pretty manola at a bull-fight. It is
allowable to suppose that at that moment he regretted the tea-table,
piano, and prosaic society of Dona Feliciana de los Rios. Nevertheless,
on casting a supplicatory glance at Militona, as if to implore her not
to risk her safety in his defence, he found her so marvellously lovely
in her pallor and emotion, that he could not think her acquaintance
dearly purchased even by this great peril. She stood erect, one hand on
the edge of Andres' bed, whom she seemed resolved to protect, the other
extended towards the door with a gesture of supreme majesty.
"What do you here, murderer?" she cried, in clear and thrilling tones.
"You sought a lover; you find a wounded and helpless man. Begone! Fear
you not lest the wound break out afresh at your presence? Are you not
sick of bloodshed? Do you come as an assassin?"
The young girl accentuated the last word in so singular a manner, and
accompanied it with so piercing and terrible a look, that Juancho was
embarrassed, reddened, turned pale, and the ferocity of his countenance
was exchanged for an expression of uneasiness. After a pause, he spoke
in a choked and faltering voice.
Public-domain text, read in full here on John Shaqi.
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