Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847.Various
History
Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847.
Various
England -- Periodicals; Scotland -- Periodicals
Much does the Ilex gain by this prudent economy of her resources; for,
long after the autumnal rains have stripped her companions bare, while
they are shivering and sighing in the blast, _she_ knows neither moult
nor change. Immutably serene, she plants the dense screen of
well-clothed boughs across the road, and affords shelter to the
careless wight who has forgotten his umbrella, keeping him dry and
warm under an impenetrable water-proof and winter-proof canopy. Of all
trees that bloom, (especially when as now in full feather,) few can
rival the acacia in delicacy of white, or in profusion of blossoming.
Nodding their heavy plumes and parting their leafy tresses in the
breeze, they are the charm of every spot where they grow; whether as
here, alternating in beautiful relief by the lofty wall of the
aqueduct, commingling their snowy bunches amidst thousands of red and
white Banksian roses; or else standing sentinel with a weeping willow
over some garden fountain. Whether alone or in company, there is not a
more beautiful sylvan blonde than the acacia; but it is too apparent
that such loveliness will not last, that her stature is fully beyond
her strength. For example, there is a row of them; none counts her
twelfth birth-day, and yet all are grown up! Turn we, now, to the
great stone pines: here they stand in the morning sun, that has
already cracked their fevered bark, and caused it to peel off in red
_laminae_ from the rugged trunk. See the ground at their base strewn
with these thin vegetable tiles; and large quantities of that most
beautiful of funguses, the _Clatharus Cancellatus_, chooses this
situation to blush and stink. This group is a well-known land-mark for
miles around Rome; far off in the Campagna we recognise the clump; the
dome of St Peter's itself meets not sooner the inquiring eye of the
arriving tourist. They are also the artists' trees; not a bough of
them but has been studied and depicted time after time for centuries;
they have stood oftener for their portraits than they have cones to
count, and are as familiar to the young painter, as the line-school
that beset the Pincian hill. These are the principal trees which give
character to the garden; but there are hosts of others that help to
make up the beauty of the scene; _Catalpas_, _Meleas_, _Brousenitias_,
_&c. &c._, all now in light green foliage. Some are still hung with
pods and berries of their last year's growth, producing an _insieme_
of pictorial effect rarely to be met with out of Italy, and in Italy
only at this season of the year. Continuing our walk, we pass under
the rose-crowned aqueduct, and strike into the green avenue that
darkens beyond; listening to the distant water bubbling up from the
deepest recesses, and to the fitful whistle of blackbird and thrush,
as they flit athwart the moss-grown gravel, and perch momentarily on
the heads of mutilated termini and statues; whilst the clipt trees
vibrate under the wings of others extricating themselves on a
Public-domain text, read in full here on John Shaqi.
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