Another enemy of true criticism in America is _provincialism_. There
is no literary metropolis which can give decisive opinions, and the
country is parcelled out among small cliques, who settle things their
own way in their own particular districts. Thus, there are shining
lights in Boston, who are "small potatoes" in New York; and "most
remarkable men" in the West, whom no one has remarked in the East.
Sometimes, indeed, these cliques continue to ramify and extend their
influence into other places. This is effected by a regular system
of flattery,--"tickle me and I'll tickle you;" nor is there even an
endeavour to conceal this. For instance, when the classical lion of a
certain clique had been favourably reviewed by a gentleman in another
city, whose opinion was supposed to be worth something, the periodical
organ of the clique publicly expressed its thanks for the favour,
and in return, dug up a buried novel of the critic's, and did its
best to resuscitate it by a vigorous puff. Here was a fair business
transaction with prompt payment. We have observed that the tendency
of American reviewing is to indiscriminate praise. The exceptions to
this, (setting aside some rare extravagances which resemble the efforts
of a bashful man to appear at ease, attempts to annihilate Cooper, or
Warren, or Tennyson, for instance) usually spring from some of the
private misunderstandings we have alluded to; _e.g._ two _litterateurs_
quarrel, one of them is kicked out of doors, and then they begin to
_criticise_ each other's writings. And the consequence is, that it is
next to impossible to pass an unfavourable opinion upon any thing,
without having personal motives attributed to you, and getting into a
personal squabble about it. When an author, or an artist,[54] or an
institution is condemned, the first step is to find out, if possible,
the writer of the review, and the next to assail him on private
grounds. Indeed, the author's friends do not always stop at pen and
paper. Some years ago, an English magazinist charged a fair versifier
of the West with having "realised" some of his inspirations,--a very
absurd claim by the way, as there was nothing in the disputed stanzas
which would have done any man much credit. Soon after, the Kentucky
papers announced that a friend of the lady had gone out express by the
last steamer, for the purpose of "regulating" the Englishman. What the
result was we have never heard.
Public-domain text, read in full here on John Shaqi.
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