Blackwood's Edinburgh Magazine, Volume 63, No. 389, March 1848Various
History
Blackwood's Edinburgh Magazine, Volume 63, No. 389, March 1848
Various
England -- Periodicals; Scotland -- Periodicals
rendered insensible. The merciful God, to whom he thus looked for help
at the eleventh hour, did not desert him. Several men belonging to the
fort, seeing the turn things took, hastily armed themselves, and,
hurrying out to the rescue, arrived just at the critical moment when
the stone was dashed in his face. Though too late to prevent this,
they were in time to prevent a repetition of the blow; and, after a
short scuffle with the Indians, without any bloodshed, they succeeded
in carrying their master up to the fort, where he soon recovered. The
deep cut made by the stone on the bridge of his nose, left an
indelible scar."
To return to Stemaw the trapper, whom we left striding along with
confident step, as though the high road lay before him, although no
track or trail, discernible by European eye, is there to guide his
footsteps. After a walk of two miles, a faint sound a-head brings him
to a dead halt. He listens, and a noise like the rattling of a chain
is heard from a dark, wild hollow in his front. "Another moment, and
the rattle is again distinctly heard; a slight smile of satisfaction
crosses Stemaw's dark visage; for one of his traps was set in that
place, and he knows that something is caught. Quickly descending the
slope, he enters the bushes whence the sound proceeds, and pauses when
within a yard or two of his trap to peer through the gloom. A cloud
passes off the moon, and a faint ray reveals, it may be, a beautiful
black fox caught in the snare. A slight blow on the snout from
Stemaw's axe-handle kills the unfortunate animal; in ten minutes more
it is tied to his sledge, the trap is reset and again covered over
with snow, so that it is almost impossible to tell that any thing is
there; and the Indian pursues his way." And here we have a drawing of
Reynard the Fox, a fine specimen of his kind, black as coal, with a
white tuft to his tail, looking anxiously about him, his fore-paw fast
in the jaws of a trap, with which a heavy log, fastened by a chain,
prevents his making off. In the distance, the Indian, gun on shoulder,
his snow-shoes, which look like small boats, upon his feet--strides
forward, eager to secure his valuable prize. We give Mr Ballantyne all
credit for the unpretending but useful wood-cuts scattered through his
book, which serve to explain things whose form or nature would
otherwise be but imperfectly understood. They are an honest and
legitimate style of illustration, exactly corresponding to the
requirements of a work of this kind.
Public-domain text, read in full here on John Shaqi.
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