Blackwood's Edinburgh Magazine, Volume 63, No. 391, May, 1848Various
General
Blackwood's Edinburgh Magazine, Volume 63, No. 391, May, 1848
Various
England -- Periodicals; Scotland -- Periodicals
an increasing phosphoric flicker. You may mark the progress of the
mob, as it goes farther on in dusky mass, and is lost to sight in the
gloom, not only by the eternal monotonous cry that bids the
inhabitants illuminate, coming from the distance, but by the gleaming
track it leaves behind it like a gigantic, broad tail of fire.
Presently all the Boulevards will be brightly lighted; and the gleams
of the many thousand points of light will illuminate a thickly moving
crowd of beings, that look like the uneasy spirits of some gloomy
pandemonium. Fairy-like, however, has the magical illumination sprung
forth at the people's bidding, and fairy-like does it flicker on all
sides in the night. All the other principal streets are burning also
on either side, like long bands of spangled stuff glittering in the
sun. The Faubourg St Germain, suspected of legitimacy, has long since
been the first to yield to threats, and demonstrate at its windows its
supposed sympathy in a people's triumph; and to-morrow we shall be
told by the republican papers, how Paris was in an ecstasy of joy--how
all the population strove in zeal, with one accord, to _fêter le
peuple généreux_--how spontaneous was this illumination of republican
enthusiasm. Spontaneous was the feeling that dictated it, certainly;
but it was the spontaneity of fear--the fear of the quietly-disposed
in the face of a reckless and all-powerful mob!
Let us turn now from the glittering illuminated streets.
What is that unusual light, streaming dimly, and in blurred rays,
across the damp night air, from the windows of the chapel of St
Hyacinthe, attached to the church of the Assumption in the Rue St
Honoré? In such a place, at such an hour, it has something ghastly and
unearthly in its nature. And hark! from within there comes a noise of
hoarse murmuring, which swells sometimes suddenly into discordant
shouts, that are almost groans. The impression conveyed by both sight
and sound is little like any that Paris, even on its murkiest nights,
and under its most dismal veil, ever bestowed on you before. The
unwary wanderer in Paris streets by night, in search of romance, may
have had visions of theft, assassination, misery, crime, before his
eyes, in the dark silent thoroughfares, but always visions of a most
positive earthly nature; now he cannot help fancying himself
transported into some old town of mystic Germany, with some fantastic,
mysterious, unearthly, Hoffmannish deed going on near him. Are the
headless dead, among the victims of a prior revolution, risen from
their bloody vaults, to beckon unto their ghastly crew new victims of
another? or are demons rejoicing in that once sanctified building,
that the reign of men's most evil passions should have begun again in
that disturbed and fermenting city? Such is the first impression the
dim scene conveys. Do you ever remember such in other days? Let us
follow those dark forms that are gliding across the court of the
Public-domain text, read in full here on John Shaqi.
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