But the Italian is essentially a dramatist without the power of tragedy; he turns by nature to farce, and in his boldest affairs does nothing without burlesque. Could it be conceived that a people, resolving on a revolution, should have begun it by a revolt of cigars! In England "sixty years ago," a noble duke exhibited his hostility to the government of Pitt, by ordering his footman to comb the powder out of his locks--this deficiency in the powder tax being regarded by the noble duke as a decisive instrument in the overthrowing the national policy. It must however be said, for the honour of England and the apology of the duke, that he was a Whig,--which accounts for any imbecility in this world. The Milanese began by a desperate self-denying ordinance against tobacco. No patriot was thenceforward to smoke! What the Italian did with his hands, mouth, or thoughts, when the cigar no longer employed the whole three, is beyond our imagination. His next act of patriotic sacrifice was the theatre--the Austrian government receiving some rent as tax on the performances. The theatre was deserted, and even Fanny Ellsler's pirouettes could not win the rabble back. Even the public promenade, which happened to have some connexion with Austrian memories, was abandoned, and no Italian, man, woman, or child, would exhibit on the Austrian Corso. To our northern fancies, all this seems intolerably infantine; but it is not the less Italian--and it might have gone on in the style of children raising a nursery rebellion to this hour, but for the intervention of another character. The history of the Sardinian states is as old as the Punic wars. But the glance which we shall give looks only to the events of the last century--excepting the slight mention, that from the period when Italy was separated from the fallen empire of Charlemagne in the ninth century, the command of the passes of Mont Cenis and Mont Genevre, with the countries at the foot of the Cottian and Graian Alps, was put in charge of some distinguished military noble, as the key of Italy, that noble bearing the title of Marquis or Lord of the Marches. We come, leaving nine centuries of feud and ferocity behind, to the eighteenth century, when the house of Savoy became allied with the royal succession of England, by the marriage of Victor Amadeus with Anne Marie of Orleans, daughter of Philip, brother of Louis XIV., by Henrietta, daughter of Charles I. of England.