When Lamartine, in the face of a mob still excited with battle and
bloodshed, still drunken with the intoxication of victory, demanding,
of those whom the chances of a destiny-fraught hour had placed at
their head in the perilous post of command, they scarce knew what, and
yet ready to recommence destruction and death were it not
granted--when Lamartine tore aside the blood-red banner of terror,
that had been seized on as the symbol of the newly proclaimed French
Republic, and lifted aloft the tricolor flag as the true standard of
the Republic of peace and order which he hoped to found, he did not
only an act of personal courage--one to be mentioned among the great
traits of heroism in the annals of history--but he consummated a deed
upon which the destiny of France, perhaps of the whole world, for the
moment depended. To those far away, who know not the strange compound
that forms the character of the French, the mere change of one flag
for another may appear a matter of but little moment: but in truth it
was one of almost inestimable importance, for the destiny of the
country depended on it. And this Lamartine knew. He knew his people
too--he knew how easily they are led away by the outward show, how
completely their sentiments would be engaged in the outward symbols;
and he reared the symbol of order against the banner of violence and
blood; though he raised it aloft at the hazard of his life. At that
moment the poet-statesman stood forth a man ready to die for his
convictions: at that moment, guns, pikes, swords, daggers, every
instrument of death was directed at his head by a furious mob,
screaming for that ideal, the Republic, from which it had been taught
by demagogues to expect some vague, supernatural, at least wholly
visionary good, as if it were a talisman to raise up a golden age by
the mere power of its name; a mob, senseless, enraged, and deaf to
reason, flushed with the acquisition of sudden and sovereign power,
and yet goaded by the idea that treachery was at hand to snatch it
from their grasp. In the face of such an assemblage, before the
historical old building of the Hôtel de Ville of Paris,--upon those
steps on which so many scenes of history had already passed, and none,
perhaps, more important in its results than this,--he stood forth,
pale, but erect and resolute: a single word from the crowd, the cry
"he is a traitor! he deceives us!" might have been the signal for his
massacre: a gesture might have done the deed: the wag of one nerve of
a finger on the lock of the gun might have levelled him, and with him
France, at once: and he knew it. He knew, too, that FATE was in his
hands; he knew that in that seemingly senseless change of colours on a
flag-staff lay the destiny of Paris; and he was prepared to fall a
victim or to rise a hero. To the red flag popular fancy attached the
idea of violence, war, revenge; it was the bloody pirate flag of
propagandism by force of arms, by the terror of the scaffold. The
Public-domain text, read in full here on John Shaqi.
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