Pressed by his creditor the wood-merchant, the carpenter, in his turn,
proceeded to press his own debtors. Among these was the Blue Dragoon,
Nicholas D----, who was indebted to him in an account of sixty guldens
for work done on his premises. Nicholas entreated for delay but the
carpenter being peremptory, he inquired whether he would not take some
articles of old silver plate in payment, which, he said, had belonged
to his father, and had been left to him as a legacy by an old lady in
whose family he had been coachman. It was at last agreed that the
carpenter should take the plate at a certain value as a partial
payment, and it was accordingly brought to his house the same evening
by the dragoon. The latter advised him, in the event of his wishing to
dispose of the plate, to take it to Amsterdam, as the silversmiths of
the place would not give him half the value for the articles. The
carpenter asked him why he had not carried it to Amsterdam himself.
"So I would," he answered, "if you had given me time. As it is, give
me your promise not to dispose of it here--I have my own reasons for
it."
If this statement was correct--and there seemed no reason to doubt the
fairness of the carpenter's story--it pressed most heavily against the
accused. He was thus found in possession of part of the stolen
property, and disposing of it, under the most suspicious
circumstances, to a third party.
He was examined anew, and the beginning of his declaration
corresponded exactly with the deposition of the carpenter. The latter
had worked for him: he was sixty guldens in his debt. He was asked if
he had paid the account: he answered he had not been in a condition to
do so. He was shown the silver plate, and was told what had been
stated by the carpenter. He stammered, became pale, and protested he
knew nothing of the plate; and in this statement he persisted in the
presence of witnesses. He was then shown the gold which had been found
in his house. It belonged, he said, not to himself, but to his
father-in-law.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account