See again! there is a cessation of the combat for a time; the
weary national guards are returning from the place of action. What a
picture does the vista of the boulevards present! Those who have any
knowledge of others passing by, stop them to fall upon the neck of a
familiar face, and embrace it in grateful thankfulness that even a
scarcely known acquaintance is saved from the frightful carnage that
has taken place; and men ask for their friends, and heads are shaken;
some have fallen, others return not; and in all the windows and the
doors are agonised female faces; and women rush out to scream for
husbands, fathers, and brothers, and follow those who they think can
tell them of their fate in frantic entreaty along the pavement; and
others sit more calmly at doorways, and watch, picking lint, in sad
apprehension for the future, and silently moistening, with their tears
of agonising uncertainty, that work which but too soon may be
moistened with blood. How dark, and yet how stirring, how exciting,
and yet how heart-rending, are these scenes! Then comes a sketch of a
subject that may hereafter be used for many a historical picture. See!
that fine old prelate, with his honest and firm face, and his white
hair contrasting with his dark brow: he is borne along, first in the
arms of confused and mingled men, insurgents and defenders of order
mixing in one common cause; then, upon a hastily constructed litter.
He lies in his episcopal robes: his face is mild and calm, although he
suffers pain; his words are words of Christian forgiveness and
heavenly hope, although he has been treacherously assassinated with
the words of peace and Christian charity in his venerable mouth; and
tears stream from the eyes of armed men, and trickle down their
beards; and fellows with fierce faces and gloomy brows kneel to kiss
his hand, that now grows colder and colder as he is borne, a victim
and a martyr, over the barricades of death, and sobs of remorse and
grief are heard among the infernal and battle-stained masses that line
his path. Is there then still a feeling of noble generosity among the
savages who form the great herd of the city which boasts itself to be
the most civilised in the world,--as if civilisation were indeed at so
low an ebb of retrograde tide? So there is still a sentiment of
religion among the mass of France? Or is this but the theatrical
display of men who live only in theatrical emotions, and will act a
part before the eyes of their fellow actors, even if it be to the
death? It might almost be supposed so--for now the dying prelate is
carried by, and gone--the moment for the display of emotions is past:
it is gone with that form. See! they are again with the musket on
their shoulder--the knife in the hand of women and children! The
scene is again, once more, one of smoke and carnage, and yells of
execration and blood.
Public-domain text, read in full here on John Shaqi.
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